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Dan Friedman Papers, 1967-1995

Author:
Friedman, Dan 1945-1995
Collector:
Cooper-Hewitt Design Archive
Subject:
Haring, Keith
Deitch, Jeffrey
Pentagram Design
Anspach Grossman Portugal, Inc
Neotu (Gallery)
WilliWear (Firm)
Citibank (New York, N.Y.)
Bonwit Teller
National Public Radio (U.S.)
Bergdorf Goodman, New York
State University of New York at Purchase
Yale University Employees
Yale University Catalogs
Cooper Union for the Advancement of Science and Art
Hochschule für Gestaltung (Ulm, Germany)
Allgemeie Gewerbeschule
Jeffrey Deitch Art Advisory Services
Gran Fury
Cooper-Hewitt Design Archive
Physical description:
16 cubic feet
Type:
Correspondence
Collection descriptions
Lecture notes
Speeches
Articles
Clippings
Mechanicals
Sketches
Slides
Transparencies
Photographs
Statistics
Financial records
Stationery
Brochures
Place:
United States
Date:
1967
1967-1995
20th century
Notes:
Educator, graphic and furniture designer. Born in Cleveland, Ohio, 1945. Friedman recieved a BFA from Carnegie Institute of Technology, Pittsburgh, Pa. He studied graphic design at Hochschule fur Gestaltung, Ulm, and studied with Armin Hofmann and Wolfgang Weingart at Allgemeine Gewerbeschule, Basel. Friedman returned to America in 1969 and began his career as graphic designer for large corporations.
He worked with the firm Anspach Grossman Portugal as a senior designer from 1975 to 1977. Friedman contributed significantly to what came to be known as "post-modern" or "new wave" typography in the 1970s. He taught graphic design at Yale University, 1970-73. He became Assistant Professor and Chairman of the Board of Study in Design at the State University of New York at Purchase, 1972-1975. Friedman designed catalogs and brochures for both universities. Friedman worked with Pentagram Design in New York City from 1979 to 1984. He designed corporate identity programs, posters, publications, packaging, letterheads, and logos, for clients such as Citibank, and Williwear.
Friedman was a long-time friend of artist Keith Haring, and designed the book, "Keith Haring", 1982. He was the author of "Dan Friedman: Radical Modernism", 1994, and co-authored with Jeffrey Deitch, "Cultural Geometry", 1988, and "Artificial Nature", 1990. He designed the books "New Italian Design", 1990, and "Post Human", 1992. He also designed furniture, lighting, screens, wall elements, and interiors. Many of his furniture designs were done especially for Galerie Noetu in Paris. Among his best known furniture designs are the 1989 Virgin Screen, 1989 Zoid sofa and chair, and the Three Mile Island lamps.
Friedman served as the Frank Stanton Professor of Graphic Design at the Cooper Union in New York city, from 1994 until his death in 1995.
Summary:
Materials in this collection document Friedman's work from 1967, as a student, until his death in 1995. General correspondence files contain all communications that do not pertain to a specific project. Because Friedman's personal life and business were so interconnected, many of his business associates also shared personal correspondence with the designer.
Files that document his affiliations with Yale University and the State University of New York at Purchase include administrative memos, proposals, lecture outlines, syllabi, bibliographies, examples of students' work, and design projects Friedman did for each school. A copy of the goals and objectives of the Division of Visual Arts within the School of the Arts at SUNY Purchase written by Friedman is included.
Project files: business correspondence, invoices, sketches, contracts, clippings, photographs, and slides. In the case of his graphic projects, some samples of stationery and brochures are included. Extensive documentation exists for Friedman's projects for Citibank, WilliWear, National Public Radio, and Bonwit Teller. Friedman's lecture notes, proposals for articles and books, and drafts of many articles are included. Clippings of articles on the designer and his work are arranged chronologically.
Research files : articles and Friedman's notes on topics of interest to him, such as typography, structure, simultaneity, and information theory. Photographs, slides, and transparencies of many of Friedman's projects, his sources of inspiration, and the work of his students are included.
Cite as:
Dan Friedman Papers, 1967-1995, Archives Center, National Museum of American History
Topic:
Graphic arts
Furniture design
Packaging--Design
Design education
Corporate image--Design
Logos (Symbols)--Design
Packaging--Designers
Signs and symbols--Design
Letterheads--Design
Posters--Design
Book design
Printing
Postmodernism
Graphic designers
Local number:
202.3081 (NMAH Acc.)
1997-19-1
Data Source:
Archives Center - NMAH

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