After Schongauer of the German school, come Israel Von Mencken and A. Stockenden, the first represented by "The Death of the Virgin" and "Judith with the Head of Holofernes"--both very fine impressions--and the second by "Christ before Pilate" and "La Descent aux Limbes." In all of these engravings, we see talent of a high order struggling with imperfect knowledge of what at the present day are considered the simplest artistic principles. The drawing is crude, and there is little knowledge of perspective or of light and shade. [Pp. 16-17 (supp.); see entry 01990008 for other work noted in this commentary.]
Exhibition of Engravings, Etchings & Mezzotints, held under the Auspices and for the Benefit of the Pennsylvania Academy of the Fine Arts, in the building adjoining their new structure, Broad Street, above Arch, Philadelphia, Dec. 1874. Philadelphia: Henry B. Ashmead, Book and Job Printer, Nos. 1102 and 1104 Sansom Street. 1874. (and) Exhibition of Prints (Claghorn Collection) under the Auspices of the Pennsylvania Academy of Fine Arts. Critical Notices by William J. Clark, Jr., reprinted from "the Evening Telegraph" of Philadelphia; with the opening address delivered by W.S. Baker. Philadelphia: Rue & Jones, Book and Job Printers. Nos. 106 and 108 South Third Street. 1875.