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Oral history interview with Elaine Sturtevant, 2007 July 25-26

view Oral history interview with Elaine Sturtevant, 2007 July 25-26 digital asset number 1
Interviewee:
Sturtevant, Elaine, 1930-
Interviewer:
Lobel, Michael
Subject:
Deleuze, Gilles
Duchamp, Marcel
Foucault, Michel
Givaudan, Claude
Johns, Jasper
Kiefer, Anselm
Kittleman, Udo
Kosuth, Joseph
Maenz, Paul
Obrist, Hans Ulrich
Oldenburg, Claes
Rauschenberg, Robert
Reynolds, Anthony
Ropac, Thaddäus J.
Ruf, Beatrix
Warhol, Andy
Anthony Reynolds Gallery
Bianchini Gallery
Galerie J
Galerie Thaddaeus Ropac (Salzburg, Austria)
Museum für Moderne Kunst (Frankfurt am Main, Germany)
Place of publication, production, or execution:
New York (State)
Physical Description:
Transcript: 71 pages
General Note:
Originally recorded on 5 sound discs. Reformated in 2010 as 9 digital wav files. Duration is 3 hr., 3 min.
Summary:
An interview of Elaine Sturtevant conducted 2007 July 25-26, by Bruce Hainley and Michael Lobel, for the Archives of American Art, at the Archives of American Art, in New York, New York.
Sturtevant speaks of her exhibitions, Raw Power at Galerie Thaddaeus Ropac in Paris 2007; Cold Fear at the Anthony Reynolds Gallery in London, 2006; Brutal Truth at the Museum für Moderne Kunst, Frankfurt, Germany, 2004; America America at Galerie J in Paris in 1966; Sturtevant at the Bianchini Gallery in New York in 1965; and others. She also talks about her work Hate Kill Falsity, 2006; the process of installing shows to present a totality of work instead of individual pieces; the concept of "copy" and its misattributions in her art; her interest in opening minds and engendering thinking; her master's degree in language and interest in the writings of Gilles Deleuze and Michel Foucault; possessing confidence in her work to continue creating amidst years of misunderstanding and criticism; Abstract Expressionism and Pop art as catalysts in developing the philosophical concept of her work; frustration at being asked personal questions about the artists she was associated with; the reception of her art in Europe; using video as a medium to articulate visibility; and welcoming different interpretations of her work. Sturtevant also recalls Thaddaeus Ropac, Anthony Reynolds, Udo Kittelmann, Anselm Kiefer, Jasper Johns, Robert Rauschenberg, Andy Warhol, Hans-Ulrich Obrist, Beatrix Ruf, Claude Givaudan, Claes Oldenburg; Marcel Duchamp, Paul Maenz, Joseph Kosuth, and others.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Elaine Sturtevant, 2007 July 25-26. Archives of American Art, Smithsonian Institution.
Funding:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Elaine Sturtevant (1924-2014) was a multi-media artist in Paris, France. Bruce Hainley is a writer from Los Angeles, California. Michael Lobel is an art historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Abstract expressionism
Interviews
Multimedia (Art)
Pop art
Sound recordings
Video art
Women artists
Record number:
(DSI-AAA_CollID)13622
(DSI-AAA_SIRISBib)271790
AAA_collcode_sturte07
Theme:
Women
Data Source:
Archives of American Art

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