Oral history interview with John Weber, 2006 March 21-April 4
Weber, John, 1932-2008
McElhinney, James, 1952-
Martha Jackson Gallery
Dwan Gallery (New York, N.Y.)
Dwan Gallery (Los Angeles, Calif.)
Widgeon Point Charitable Foundation
Place of publication, production, or execution:
New York (State)
Transcript: 62 pages
Originally recorded on 2 sound discs. Reformated in 2010 as 2 digital wav files. Duration is 3 hrs., 11 min.
Access Note / Rights:
Transcript available on the Archives of American Art website.
An interview of John Weber conducted 2006 March 21 and April 4, by James McElhinney, for the Archives of American Art, at Weber's home, in Chatham, New York.
Weber discusses his education at St. Catherine's Military School in Anaheim, California, and Admiral Farragut Academy in St. Petersburg, Florida; attending the Citadel in South Carolina and then joining the Navy; attending Antioch College in Yellow Springs, Ohio, after getting out of the Navy; accepting a job at the Dayton Art Institute on the curatorial staff and working for the director, Thomas C. Colt; moving to New York and attending the Institute of Fine Arts at New York University; working at the Martha Jackson Gallery and his involvement in various influential shows there, including "Environments, Spaces, Situations," and "New Forms, New Media"; moving to Los Angeles in 1962 to work for the Dwan Gallery; getting involved with land artists, including Robert Smithson, Michael Heizer, and Walter De Maria; moving back to New York to take on the directorship of the East Coast location of the Dwan Gallery, in SoHo, then the newest gallery neighborhood; opening his own gallery, the John Weber Gallery, on West Broadway in 1972; his involvement with the Fluxus Group and Arte Povera; the international nature of the art world in the 1960s and 70s; his business arrangements with artists, including the monthly stipends he gave them as advances on sales; his relationships with collectors, including Giuseppe Panza di Biumo and Emily and Burton Tremaine; his advocacy of Aboriginal art; the studios of Robert Smithson and Claes Oldenburg; his belief in the importance of originality; his adverse reaction when he first saw a piece by Dan Flavin; his interaction with art critics, including Irving Sandler and Grace Gluck; and his experience with art fairs. He also recalls Kirk Varnedoe, Jim Dine, Michael Goldberg, Jean Tinguely, Martial Raysse, Arman, Yves Klein, Franz Kline, Andre Emmerich, Mary Boone, Sol LeWitt, Andy Warhol, Gilberto Zorio, Richard Long, Hamish Fulton, Anina Nosei, Sven Lukin, Robert Ryman, Alighiero Boetti, Konrad Fischer, Ivan Karp, Paula Cooper, Angela Westwater, Jeff Koons, Joseph Beuys, Hans Haacke, Leo Castelli, Tom Otterness, Joyce Nereaux, Dorothea Rockburne, Eva Hesse, Lucas Samaras, and Joseph Hirshhorn, among others.
Quotes and excerpts must be cited as follows: Oral history interview with John Weber, 2006 March 21-April 4. Archives of American Art, Smithsonian Institution.
Funding for this interview was provided by the Widgeon Point Charitable Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
John Weber (1932-2008) is an art dealer from Chatham, New York. James McElhinney (1952- ) is a painter and educator of New York, New York.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001