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Oral history interview with Dennis Pinette, 2005 Aug. 30-Sept. 1

view Oral history interview with Dennis Pinette, 2005 Aug. 30-Sept. 1 digital asset number 1
Interviewee:
Pinette, Dennis, 1951-
Interviewer:
Larsen, Susan C., 1946-
Place of publication, production, or execution:
Maine
Physical Description:
Transcript: 46 p.
General Note:
Originally recorded on 2 sound discs. Reformated in 2010 as 2 digital wav files. Duration is 2 hr., 20 min.
Summary:
An interview of Dennis Pinette conducted 2005 Aug. 30 and Sept. 1, by Susan C. Larsen, art historian, for the Archives of American Art, at the artist's home and studio, in Belfast, Me.
Pinette discusses his childhood in Williamstown, Mass., and Morristown, N.J., and his early fascination with industrial scenes and railroad sightings; his family and artistic bloodline from his maternal grandparents, Harold and Frances McMennamin; his education at Mount Greylock Regional High School in Williamstown; his first influential art teacher, John D. Maziarz; his secondary education at Hartford Art School where he studied with Rudolph Zallinger; his first job out of college for a picture framer in West Hartford, Conn., while at the same time continuing to paint at night; his marriage to Megan Pinette (née Smith) in 1975, and how they first met; the couple's easel-backed picture frame business in Westerly, R.I., in the early 1980s, which they gave up to move to Maine and paint; their move to Belfast, Me., in the summer of 1983, when they bought the house in which they still live; the Artfellows art cooperative, started in Belfast in 1980; his shift back to realism from abstraction in the early 1980s; his wanderings in and around industrial parks in Maine, including the Maine Yankee Nuclear Power Plant in Wiscasset, to find inspiration for his canvases; his total refusal of the idea that his paintings have social or political messages to convey; his continuing fascination with the visceral quality of industrial scenes; his artistic influences, including American artists of the early twentieth century, such as Edward Hopper, John Sloan, William Glackens, Charles Sheeler, and Charles Burchfield, as well as later American artists such as Agnes Martin and Jackson Pollock; the influence and inspiration of Maine's varied landscape; his preferences for working, especially plein-air painting during the spring and fall; and his most recent series of works, which focus on fire and on water. Pinette also recalls Vito Acconci, Sol LeWitt, Bruce Brown, Stewart Henderson, Richard Norton, Yvonne Jacquette, Alex Katz, Linden Frederick, Stephen Pasterhoff, Neil Welliver, Dudley Zopp, and others.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Dennis Pinette, 2005 Aug. 30-Sept. 1. Archives of American Art, Smithsonian Institution.
Funding:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Dennis Pinette (1951- ) is a painter from Belfast, Me. Interviewer Susan C. Larsen is an art historian, from St. George, Me.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Art
Interviews
Painters
Painting
Painting, Abstract
Sound recordings
Record number:
(DSI-AAA_CollID)12699
(DSI-AAA_SIRISBib)255247
AAA_collcode_pinett05
Data Source:
Archives of American Art

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