Oral history interview with Dale and Doug Anderson, 2005 July 21-22
Anderson, Dale, 1944-
Oldknow, Tina, 1955-
Place of publication, production, or execution:
New York (State)
Transcript: 148 pages
Originally recorded on 7 sound discs. Reformatted in 2010 as 19 digital wav files. Duration is 7 hrs., 6 minutes.
An interview of wife and husband Dale and Doug Anderson conducted 2005 July 21-22, by Tina Oldknow, for the Archives of American Art, in their home.
The Andersons discuss their respective childhoods and growing up in Manhattan; their education and early experiences with art; their early collection of Native American art; their first art purchases, including a Richard Marquis Patchwork teapot, a Lowell Nesbitt painting, and a Carolyn Brady painting; their initial involvement with the American Craft Museum's Collector's Circle, as well as other craft organizations including Creative Glass Center of America, Millville, New Jersey, The Metropolitan Glass Group, Art Alliance for Contemporary Glass, and the Friends of Contemporary Ceramics, among others; their involvement with, and support of, various museums, including the Racine Art Museum, Racine, Wisconsin, the Metropolitan Museum of Art, New York, New York, the Boston Museum of Fine Arts, Boston, Massachusetts, the Seattle Art Museum, the Norton Museum of Art, West Palm Beach, Florida, and the Corning Museum of Glass, Corning, New York; their involvement with, and support of, various art schools, including the Pilchuck Glass School, Stanwood, Washington, the Watershed Center for the Ceramic Arts, Newcastle, Maine, and Haystack Mountain School of Crafts, Deer Isle, Maine; their independent commissioning of works by various artists, including Dale Chihuly, Ginny Ruffner, Sandy Skoglund, Tom Patti, Paul Marioni and Ann Troutner, and Silas Kopf; their involvement in various large-scale glass exhibitions and expositions, including the annual Sculptural Objects and Functional Art expositions, "Glass Today by American Studio Artists," August 13, 1997-January 11, 1998, at the Boston Museum of Fine Arts, and palmbeach3, West Palm Beach, Florida, among others; their participation in, and support of, the publishing of various books on glass, including Martha Drexler Lynn's "Sculpture, Glass, and American Museums," Philadelphia: University of Pennsylvania Press, 2005, and Tina Oldknow's "Pilchuck: A Glass School", Seattle: Pilchuck Glass School, in association with the University of Washington Press, 1996; their dealings with various galleries across the country, including Habatat Galleries, Royal Oak, Michigan, Heller Gallery, New York, New York, UrbanGlass, Brooklyn, New York, Barry Friedman Ltd., New York, New York, browngrotta arts, Wilton, Connecticut, and Ferrin Gallery, Lenox, Massachusetts, among others.
The Andersons recall Christina Orr-Cahall, George and Dorothy Saxe, Ronald and Anita Wornick, Susan Steinhauser and Dan Greenberg, Jack and Rebecca Benaroya, Weston Naef, Daphne Farago, Dale Chihuly, Thomas and Marilyn Patti, Catherine Chalmers, Jeremy Flick, Zhuan Huang, William Warmus, Akio Takamori, Linda Schlenger, Bruce Pepich and Lisa Englander, Pike Powers, Parks Anderson, Sonny and Gloria Kamm, Flora Mace and Joey Kirkpatrick, Davira Taragin, Bill Morris, Sam and Eleanor Rosenfeld, Daganeet Schokauer, Albert Paley, John McQueen, Jeff Mermelstein, Jane Adlin, Henrietta Brunner, Mark Lyman, Charles and Andrea Bronfman, Norman and Elizabeth Sandler, Ferdinand Hampson, Dafna Kaffeman, Paul Stankard, Toots Zynsky, Marjorie Levy, Gregory Grenon, and others.
Quotes and excerpts must be cited as follows: Oral history interview with Dale and Doug Anderson, 2005 July 21-22. Archives of American Art, Smithsonian Institution.
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Dale (1944- ) and Doug (1943- ) Anderson are glass collectors from New York, New York Tina Oldknow is a curator at the Corning Museum of Glass, Corning, New York.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001