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Oral history interview with Angel Rodriguez-Diaz, 2004 April 23-May 7

view Oral history interview with Angel Rodriguez-Diaz, 2004 April 23-May 7 digital asset number 1
Interviewee:
Rodriguez-Diaz, Angel, 1955-
Interviewer:
Cordova, Cary
Subject:
Alvarez, Candida
Anthes, John
Briseño, Rolando
Cisneros, Sandra
Min, Yong Soon
Molina, Antonio J. (Antonio José),
Morris, Robert
Pace, Linda
Ramos Otero, Manuel
Roche-Rabell, Arnaldo
Sward, Robert
Tofino, Nitsa
Recuerdos Orales: Interviews of the Latino Art Community in Texas
Place of publication, production, or execution:
Texas
Physical Description:
Sound recording, master: 7 sound discs (7 hr., 45 min.) digital; 2 5/8 in.
Sound recording, duplicate: 6 cassettes
Transcript: 94 pages.
General Note:
Originally recorded on 7 sound discs. Reformated in 2010 as 12 digital wav files. Duration is 7 hr., 46 min.
Access Note / Rights:
Transcript available on the Archives of American Art website.
Summary:
An interview of Angel Rodriguez-Diaz conducted 2004 Apr. 23-May 7, by Cary Cordova, for the Archives of American Art, in San Antonio, Tex.
Rodriguez-Diaz speaks of his mother's upbringing and her untimely death from cancer; his childhood and schooling in Santurce, Puerto Rico, particularly his art experiences; his parents' conversion to Pentecostalism; the importance of travel in Puerto Rican culture; attending the University of Puerto Rico, Rio Piedras; discovering his sexuality during adolescence; living in New York City; the city's gay scene on Christopher Street; exploring his identity as a Puerto Rican American; his jobs at mannequin factories; and his gradual ingratiation into the New York art world, mostly through Robert Morris. Rodriguez-Diaz also mentions his relationship with Rolando Briseño; the motifs in his paintings, such as mirrors and masks; witnessing the Tompkins Square Park riots of 1988; organizing a strike at his mannequin factory; contracting the HIV virus from a partner; Mexican art cinema; the cultural and historical similarities of Mexico and Puerto Rico; moving to San Antonio; choosing the models for his "Goddess" series; Anglo/Latino conflict within the San Antonio art scene; the commodification of Mexican culture in San Antonio; the spiritual importance of portraiture; the history of Puerto Rican artwork and culture, particularly native cultures; and the Smithsonian's acquisition of his painting, "The Protagonist of an Endless Story." Rodriguez-Diaz also recalls Antonio Molina, Sandra Cisneros, Arnoldo Roche-Rabell, John Anthes, Manuel Ramos Otero, Nitsa Tofino, Candida Alvarez, Soon Yong Ming, Robert Sward, Linda Pace, and others.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Angel Rodriguez-Diaz, 2004 April 23-May 7. Archives of American Art, Smithsonian Institution.
Funding:
This interview is part of the series "Recuerdos Orales: Interviews of the Latino Art Community in Texas," supported by Federal funds for Latino programming, administered by the Smithsonian Center for Latino Initiatives. The digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Biography Note:
Angel Rodriguez-Diaz (1955- ) is an artist from San Antonio, Tex. Cary Cordova (1970- ) is an art historian from Austin, Tex.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Art
Artists
Gay artists
Hispanic American artists
Interviews
Painters
Sound recordings
Record number:
(DSI-AAA_CollID)13193
(DSI-AAA_SIRISBib)250507
AAA_collcode_rodriga04
Theme:
Latino and Latin American
Data Source:
Archives of American Art
Additional Online Media:

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