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Oral history interview with Carolyn Mazloomi, 2002 September 17-30

view Oral history interview with Carolyn Mazloomi, 2002 September 17-30 digital asset number 1
Interviewee:
Mazloomi, Carolyn, 1948-
Interviewer:
Cubbs, Joanne
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Place of publication, production, or execution:
Other
Physical Description:
Transcript: 56 pages.
General Note:
Originally recorded on 4 sound discs. Reformated in 2010 as 16 digital wav files. Duration is 4 hrs., 33 min.
Access Note / Rights:
Transcript available on the Archives of American Art website.
Summary:
An interview of Carolyn Mazloomi conducted 2002 September 17 and 30, by Joanne Cubbs, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in West Chester, Ohio. Mazloomi speaks of growing up in Baton Rogue, Louisiana, with a family of self-taught artists; the positive influence of her aunt and teacher Dr. Carter; the generation of African-American quiltmakers who followed a gap in quiltmaking post-slavery; she describes her previous career as an aeronautical engineer and her transition to quiltmaking; how she identifies herself as a craftsperson, not an artist; her experience with Baltimore album and Appalachian quilts; learning to quilt; the Women of Color Quilter's Network and its economic and social development programs; her book, "Spirits of the Cloth"; the positive and negative aspects of travel; the false generalizations of African-American quilts in academic circles; the importance of gender, race, and ethnicity in her work; her connection to "praise songs"; she discusses functional vs. nonfunctional quilts; the market for "hand-crafted" quilts; agents and galleries; she describes her working environment; adopting the use of a sewing machine in her work; the importance of community; her technique; her accomplishment of placing African-American quilts in the Renwick Gallery; the influence of magazines, including "Raw Vision;" her aversion to commissions; expanding her use of materials and technology; her exhibitions; her role as an advocate and dealer; finding inspiration in black and white linocuts and her use of color in quilts; and making a connection with her audience. Mazloomi also recalls Marie Wilson, Cuesta Benberry, Edjohnetta Miller, Roland Freeman, Robert Cargo, Martha Connell, Penny Sisto, Minnie Adkins, Nkosi Johnson, and Lauryn Hill.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Carolyn Mazloomi, 2002 September 17-30. Archives of American Art, Smithsonian Institution.
Additional Forms:
Transcript available online.
Funding:
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Carolyn Mazloomi (1948- ) is a quilt maker from West Chester, Ohio.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
African American quiltmakers
Decorative arts
Interviews
Quilting
Quilting
Quilting
Quiltmakers
Sound recordings
Women artists
Record number:
(DSI-AAA_CollID)11504
(DSI-AAA_SIRISBib)240143
AAA_collcode_mazloo02
Theme:
African American
Craft
Women
Data Source:
Archives of American Art

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