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Oral history interview with Ed Rossbach, 2002 August 27-29

Interviewee:
Rossbach, Ed, 1914-2002
Interviewer:
Austin, Carole
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Place of publication, production, or execution:
California
Physical Description:
Transcript: 72 pages
Access Note / Rights:
For information on how to access this interview contact Reference Services.
Access is to transcript only.
Summary:
An interview of Ed Rossbach conducted 2002 August 27-29, by Carole Austin, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Rossbach speaks of his early education and the influential teachers he had; his involvement with the All-Arts Club in high school; his family and the Depression; his beginnings with weaving; the rich and full experience of Cranbrook Academy of Art; his education at the University of Washington and professor Lea Miller; his use of the GI Bill; his relationship with dealers and galleries; his workplace at home; the isolation he felt as an artist; the importance of the craft movement and the very international feeling associated with it; the publications he worked on and completed, including, "Making Marionettes," (1938), "Baskets as Textile Art," (1973), "The New Basketry," (1976) and, "The Art of Paisley," (1980); his experience at Rhode Island School of Design and using the advanced power loom; Jim's Caning Shop in Berkeley, where he got a lot of his materials; the community of fiber artists that formed at Fiberworks; the "long" process of working with fiber; his dear friend Lillian Elliott; and the difficulty in preserving his artwork. Rossbach also recalls Maija Grotell, Jack Lenor Larsen, Magdalena Abakanowicz, Olga de Ameral, Pat Hickman, Ginger Laky, Chere Mah Marianne Strengell, Annie Albers, Pat Charley, Mark Balken, Daphne Farago, and others. Katherine Westphal, Rossbach's wife, concludes the interview with Ms. Austin discussing several of Ed's works in the catalog, "Ed Rossbach, 40 Years of Exploration and Innovation in Fiber Art," (1990), the accounts from Ms. Westphal add particular insight to the artwork Rossbach produced and how integral a figure Rossbach was to the field of fiber art.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ed Rossbach, 2002 August 27-29. Archives of American Art, Smithsonian Institution.
Funding:
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Biography Note:
Charles Edmund Rossbach (1914-2002) was a fiber artist from Berkeley, California. Carole Austin is a curator and writer from Orinda, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Art
Decorative arts
Fiber artists
Interviews
Weavers
Record number:
(DSI-AAA_CollID)12330
(DSI-AAA_SIRISBib)238674
AAA_collcode_rossba02
Theme:
Craft
Data Source:
Archives of American Art

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