Smithsonian Institution

Search Results

Collections Search Center
1 documents - page 1 of 1

Oral history interview with Val Laigo, 1989 July 12

view Oral history interview with Val Laigo, 1989 July 12 digital asset number 1
Interviewee:
Laigo, Val M., 1930-1992
Interviewer:
Lau, Alan Chong
Subject:
Bennett, Doug
Callahan, Kenneth L.
Chong, Fay
Dusanne, Zoe
Horiuchi, Paul
Jones, Quincy
Katayama, Mits
Nordness, Lee
Okada, Frank S. (Frank Sumio)
Orozco, José Clemente
Picasso, Pablo
Ritchie, Bill
Rivera, Diego
Siqueiros, David Alfaro
Tamayo, Rufino
Voorhees, Clark G. (Clark Greenwood)
Washington, James W. (James Winston)
Charles and Emma Frye Art Museum
Foster/White Gallery
Mexico City College
Seattle University
University of Washington
Place of publication, production, or execution:
Washington (State)
Physical Description:
Transcript: 42 p.
General Note:
Originally recorded on 2 sound cassettes. Reformated in 2010 as 3 digital wav files. Duration is 1 hr., 48 min.
Access Note / Rights:
Transcript available on the Archives of American Art website.
Summary:
An interview of Val Laigo conducted 1989 July 12, by Alan Lau and Kazuko Nakane, for the Archives of American Art Northwest Asian American Project, in Laigo's home, Seattle, Wash.
Laigo speaks of learning how to paint at age eleven with watercolors; growing up with a heart condition known as Eisenmenger's Complex; teaching at Highline High School and creating a wolverine as the school's mascot; the inclusion of his life story in a Filipino oral history project; singing for an orchestra called the Gentlemen of Rhythm, at the Filipino Catholic Youth Activities events and other venues; Doug Bennett as an influence in composition and design; being a student at Seattle University and joining Art Equity in approximately 1951; remembering his painting, "Madonna" being shown at the Seattle Art Museum; his first show at the People's Furniture Store and later with Fay Chong at the Hathaway House; Zoe Dusanne became his agent; his introduction to the MacPaint software program and his first piece of computer art; his desire to study Mexican muralists, Diego Rivera, Jose Orozco, David Siqueiros, and Rufino Tamayo and becoming at student at Mexico City College; his life in Mexico with the woman who would become his wife; the strong influence of Nick Damascus on his painting; how his palette changed to brighter colors after living in Mexico; his health crisis there that lead him to abandon his work towards a master's degree and return to Seattle in 1959; having to start over from the beginning at the University of Washington; Tommy Kwazume hiring him at Boing as an artist in 1960; Lee Nordness and the RCA Victor album cover; his negative experience with Margaret Reed while showing at the Panaca Gallery; his exhibit at the Frye Art Museum in 1969 and criticism by Clark Voorhees; his Mexican experience having influenced his vigor and scale; the Lost Generation series; his comment about Picasso not being able to paint; encouragement from his family to pursue art training; the murder of his father in 1936; his mother's success as a new painter; and his work, "Dilemma of the Atom" featured on the cover of an RCA Victor record album. Laigo also recalls Perry Acker, Foster White Gallery, David Mendoza, Fred Mendoza, Tom Tooley, Ray Sadirius, Quincy Jones, Oscar Holden's Orchestra, Fred Cordova, Mits Katayama, Rudy Bundis, Kal Chin, Paul Horiuchi, James Washington, Dick Kirsten, Frank Okada, John Matsudaira, Walter Froelich, Bill Ritchie, John Counts, Don Fenton, Kenneth Callahan, Fred Run, Barry Ferrell, Ken Harms, Andrew Chin, Ben Dar, Ruth Mora, and others.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Val Laigo, 1989 July 12. Archives of American Art, Smithsonian Institution.
Funding:
Funding for the transcription of this interview provided by the Smithsonian Institution's Women's Committee.
Biography Note:
Val Laigo (1930-1992) was a painter from Seattle, Wash. Born in Naguilian, La Union, in the Phillipines. His family moved to the United States in 1931 and to Seattle in 1941. Laigo's full name Valeriano Emerenciano Montante Laigo.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Art
Asian American artists
Computer art
Interviews
Muralists
Painters
Sound recordings
Record number:
(DSI-AAA_CollID)12747
(DSI-AAA_SIRISBib)224926
AAA_collcode_laigo89
Theme:
Asian American
Data Source:
Archives of American Art

Modify Your Search






or


Narrow By
  • Transcripts
  • Archival materials
  • Collection descriptions
  • Archival materials
  • Collection descriptions
  • Art
  • Artists
  • Computer art
  • Interviews
  • Mural painting and decoration
  • Painters
  • Sound recordings
  • Art
  • Artists
  • Computer art
  • Interviews
  • Mural painting and decoration
  • Painters
  • Sound recordings
  • Bennett, Doug
  • Callahan, Kenneth L.
  • Charles and Emma Frye Art Museum
  • Chong, Fay
  • Dusanne, Zoe
  • Foster/White Gallery
  • Horiuchi, Paul
  • Jones, Quincy
  • Katayama, Mits
  • Laigo, Val M.
  • Bennett, Doug
  • Callahan, Kenneth L.
  • Charles and Emma Frye Art Museum
  • Chong, Fay
  • Dusanne, Zoe
  • Foster/White Gallery
  • Horiuchi, Paul
  • Jones, Quincy
  • Katayama, Mits
  • Laigo, Val M.
  • Asian Americans
  • Archives of American Art