Sound quality of Tape 2 is poor due to mechanical problems with the tape recorder. 15 minutes of tape is static.
An interview of D. J. Hall conducted 2000 June 29, by Paul Karlstrom, for the Archives of American Art, in Hall's home/studio, Venice, Calif.
The focus of the interview is the topic of artists and models. Hall discusses her work as based on photographs; her interests in the body, sunshine, and light; her color-field dominated period as a student at the University of Southern California and how she had to "sneak" the figure into her work; her difficult childhood and dysfunctional family situation and her art as a response; her imagery as the "bright side" of Eric Fischl; woman as subject, and object, in her paintings, and the reasons for her exclusive focus on females; the nude and figure drawing; the differences between male and female models and the fact that both men and women are drawn to the female figure; reversal of the "male gaze;" her preference for women over men as subjects whether clothed or nude; power and control in the artist/model relationship; and choosing subjects with which she can personally identify.
Quotes and excerpts must be cited as follows: Oral history interview with D. J. Hall, 2000 June 29. Archives of American Art, Smithsonian Institution.
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
D.J. Hall (1951- ) is a painter from Los Angeles, Calif. Hall is a figurative artist who depicts the world of contemporary women in her realist paintings.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by Bente and Gerald E. Buck Collection.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001