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Oral history interview with Ralph Coburn, 1995 May 25-June 23

view Oral history interview with Ralph Coburn, 1995 May 25-June 23 digital asset number 1
Interviewee:
Coburn, Ralph, 1923-
Interviewer:
Brown, Robert F.
Subject:
Kelly, Ellsworth
Nelson, Carl Gustaf
Netsch, Walter
Plaut, James S. (James Sachs)
Polonsky, Arthur
Saltonstall, Nathaniel
Swetzoff, Hyman Wulf
Wilson, John Woodrow
Zerbe, Karl
Boris Mirski Gallery (Boston, Mass.)
Institute of Contemporary Art (Boston, Mass.)
Massachusetts Institute of Technology
Place of publication, production, or execution:
Massachusetts
Physical Description:
Transcript: 48 pages
General Note:
Originally recorded on 2 sound cassettes as 4 digital wav files. Duration is 2 hr., 36 min.
Summary:
An interview of Ralph Coburn conducted 1995 May 25 and 1995 June 23, by Robert F. Brown, for the Archives of American Art, in Coburn's home, Gloucester, Massachusetts.
Coburn talks about his parents and his childhood in Miami Beach, Florida; his early schooling; and entering Massachusetts Institute of Technology, in 1941, in its 5-year architecture program. He recalls Walter Netsch, a classmate at MIT, who later became a partner at Skidmore, Owings & Merrill, who introduced Coburn to modern design and to avant-garde music. He also recalls the painter and head of painting at the Museum of Fine Arts School, Karl Zerbe, his teacher in the course of his work for advanced MIT architecture students. He talks about his return to Florida as a draftsman for an aircraft equipment company in Miami, outfitting planes for the African campaign, and his foreman, a son of Al Capone; then returning to Massachusetts to work with an electrical company making secret military components.
Coburn discusses returning to and dropping out of MIT; working at the Institute of Modern Art in Boston through Hyman Swetzoff; following Swetzoff to the Boris Mirski Gallery; studying at Mirski's art school with Esther Geller and John Wilson and friends made at the school, including Ellsworth Kelly, Arthur Polonsky, and Reed Kaye. He recalls Carl Nelson, one of his teachers. He talks about the change in atmosphere at the Institute with the replacement of Thomas Metcalf by James Plaut and Nathaniel Saltonstall who changed the Institute's name to Institute of Contemporary Art and the protest surrounding the name change.
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ralph Coburn, 1995 May 25-June 23. Archives of American Art, Smithsonian Institution.
Funding:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Ralph Coburn (1923- ) is an architect, painter, and designer currently living in Gloucester, Massahusetts.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Architects
Architecture
Designers
Interviews
Painters
Sound recordings
Record number:
(DSI-AAA_CollID)13209
(DSI-AAA_SIRISBib)216509
AAA_collcode_coburn95
Theme:
Architecture & Design
Data Source:
Archives of American Art
Additional Online Media:

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  • Boris Mirski Gallery (Boston, Mass.)
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  • Massachusetts Institute of Technology
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  • Boris Mirski Gallery (Boston, Mass.)
  • Brown, Robert F.
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  • Institute of Contemporary Art (Boston, Mass.)
  • Kelly, Ellsworth
  • Massachusetts Institute of Technology
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  • Archives of American Art