Oral history interview with Charles R. Strong, 1998 March 14-30
Strong, Charles, 1938-
Karlstrom, Paul J., 1941-
Place of publication, production, or execution:
Transcript: 58 pages.
Originally recorded on 3 sound cassettes. Reformated in 2010 as 6 digital wav files. Duration is 2 hr., 49 min.
Access Note / Rights:
Transcript available on the Archives of American Art website.
An interview of Charles Strong conducted 1998 March 14 and 30, by Paul Karlstrom, for the Archives of American Art, in Karlstrom's home, San Francisco, California.
Strong discusses his background and early years growing up in Greeley, Colorado; his interest in California and abstract expressionism leading him to enroll at San Francisco Art Institute; his experience at SFAI, including teachers, students, and the independence to develop his own direction; New York vs. San Francisco styles and the myth of west coast abstraction imitating New York; his reasons for staying in California; main influences in his art; his admiration for the Old Master artists; the resolution of the conflict between control and intuition on his own work; the differences between northern and southern California abstraction, and the central role of Bay Area abstraction in the west; and his early work. The interview concludes with Strong's accounts of his approach and goals, his imagery, and his ongoing desires to get at what he sees as the "essence" of Abstract Expressionism.
Quotes and excerpts must be cited as follows: Oral history interview with Charles R. Strong, 1998 March 14-30. Archives of American Art, Smithsonian Institution.
Transcript available on line
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Charles Strong (1938- ) is a curator, painter, and graphic artist of San Francisco, California.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview is provided by The Martin Foundation.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001