Photo shows Breeskin, seated at her desk at the National Collection of Fine Arts, and Parsons standing behind her. The painting on the wall behind them is identified in a handwritten note on verso as: Forsythia and spring flowers 1972, by Alma Thomas. Published in: Archives of American Art Journal v. 19, no. 4, p. 30
Adelyn Breeskin and Betty Parsons, 1973 March / unidentified photographer. Adelyn Dohme Breeskin papers, 1934-1986. Archives of American Art, Smithsonian Institution.
Current copyright status is undetermined
Archives of American Art, Smithsonian Institution Washington, D.C. 20560