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Gloria Ross papers, circa 1924-1998

view Gloria Ross papers, circa 1924-1998 digital asset number 1
Creator:
Ross, Gloria F., 1923-1998
Subject:
Avery, Milton
Bearden, Romare
Davis, Stuart
Frankenthaler, Helen
Motherwell, Robert Burns
Nevelson, Louise
Noland, Kenneth
Atelier Raymond Picaud
Denver Art Museum
Dovecot Studios
Pace Editions (Firm)
Pinton Atelier
Temple Emanu-El (Bayonne, N.J.)
Place of publication, production, or execution:
United States
Physical Description:
14.0 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Summary:
The papers of New York tapestry ├ęditeur Gloria Ross measure 14.0 linear feet and date from circa 1924-1998. The bulk of the papers consist of project files that document her collaborations with artists to make tapestries of their paintings and collages. Also found are scattered biographical material, professional correspondence, exhibition files, professional activity files, personal business records, printed material, photographs, and artwork.
Biographical material includes resumes and career summaries, as well as an interview of Ross on one videocassette, and a few Frankenthaler family documents. Correspondence is with artists, weavers, workshops, publications, and galleries and is of a professional nature.
Project files document Ross's collaborations with prominent artists such as Helen Frankenthaler, Robert Motherwell, Romare Bearden, Louise Nevelson, Milton Avery, Stuart Davis, and others. Project files may include correspondence, contracts, invoices, notes, photographs, yarn samples, and a few maquettes and cartoons. Also of note are extensive files regarding her collaborations with Navajo weavers to create tapestries based on geometric paintings by Kenneth Noland. Other project files include a commissioned tapestry for Temple Emanu-El in New York.
Exhibition files document various solo and group exhibitions of Gloria Ross tapestries and includes one videocassette from a 1978 exhibition. Records of her professional activities include her participation in symposia, lectures, and public events. Files may include correspondence, draft lectures, programs, and event publicity. Two short documentaries found on two videocassettes were produced for the Denver Art Museum. Personal business records document Ross's business relationships with weaving workshops and art galleries, most notably Atelier Raymond Picaud, Pinton atelier, Edinburgh Tapestry Company (Dovecot Studios), and Pace Editions, the major sales agent of Gloria Ross tapestries.
Printed material consists of catalogs, announcements, press releases, and other publications regarding exhibitions of Gloria Ross tapestries and Navajo tapestries. Photographs depict Ross, the Frankenthaler family, Ross's tapestries, weaving studios, and Navajo weavers. Artwork includes one painting by Paul Jenkins and unidentified textile and yarn samples.
Citation:
Gloria Ross papers, circa 1924-1998. Archives of American Art, Smithsonian Institution.
Biography Note:
Gloria Ross (1923-1998) was a tapestry ├ęditeur in New York, New York.
Provenance:
Donated in 2013 by the Gloria Ross estate via Michael I. Katz, executor, with assistance from the Gloria F. Ross Tapestry Program, University of Arizona, via Ann Lane Hedlund, director.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Designers
Interviews
Navajo weavers
Paintings
Photographs
Tapestry
Tapestry
Tapestry
Video recordings
Women artists
Record number:
(DSI-AAA_CollID)16163
(DSI-AAA_SIRISBib)366323
AAA_collcode_rossglor
Data Source:
Archives of American Art

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