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Roy Emerson Stryker collection, 1932-1964

view Roy Emerson Stryker collection, 1932-1964 digital asset number 1
Creator:
Stryker, Roy Emerson, 1893-1975
Subject:
Lange, Dorothea
Steinbeck, John
Vachon, John
United States. Farm Security Administration. Historical Section
Place of publication, production, or execution:
Other
Physical Description:
7 items.
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Summary:
A letter from Archie Robertson to Stryker about traveling photographic exhibitions; 2 manuscripts on the origins of the FSA and containing biographical information of Stryker, the staff, and photographers on the project; a photograph of a poem, "Merry Christmas to Stryker"; "Stryker's Credo," a statement he made upon leaving the "Jersey Company" (Standard Oil); "The Children of Esso," 1948 by John Vachon, a psalm-like parody about Stryker and his affiliation with Standard Oil; and a copy of "Their Blood is Strong," 1940 by John Steinbeck on migratory agricultural workers in California illustrated with photos by Dorothea Lange for the FSA, signed by Steinbeck.
Citation:
Roy Emerson Stryker collection, 1932-1964. Archives of American Art, Smithsonian Institution.
Additional Forms:
All items except for Steinbeck publication are available on microfilm reel 3472 and are available at Archives of American Art offices and through interlibrary loan.
Biography Note:
Director of the Farm Security Administration Historical Section; Washington, D.C. Under Stryker the Photographic project of the FSA documented the drought, poverty and despair of rural and urban America during the Depression.
Provenance:
Donated 1965 by Roy Stryker.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Record number:
(DSI-AAA_CollID)16002
(DSI-AAA_SIRISBib)305729
AAA_collcode_stryroy
Data Source:
Archives of American Art

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