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Robert Richenburg papers, circa 1910s-2008, bulk, 1950-2006

view Robert Richenburg papers, circa 1910s-2008, bulk, 1950-2006 digital asset number 1
Creator:
Richenburg, Robert, 1917-2006
Subject:
Amgott, Madeline
Cherry, Herman
Kline, Franz
Lassaw, Ibram
Grad, Bonnie Lee
Geist, Sidney
Rebay, Hilla
Ashton, Dore
Matter, Mercedes
Moulton, Lynne
Cavallon, Giorgio
Slivka, David
Ortíz, Rafael Montañez
Pavia, Philip
Lassaw, Ernestine
Hofmann, Hans
Pratt Institute
Tibor de Nagy Gallery
Club (New York, N.Y.)
Solomon R. Guggenheim Museum
United States.Veterans Administration
Ozenfant School of Fine Arts
Place of publication, production, or execution:
United States
Physical Description:
5.3 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Summary:
The Robert Richenburg papers, circa 1910s-2008, measure 5.3 linear feet. Biographical material, correspondence, subject files, writings, audio/visual recordings, printed material, and photographs document the professional career and personal life of the educator and New York School painter and sculptor best known for his Abstract Expressionist paintings.
Biographical material includes educational records from high school through his studies at the Ozenfant School of Fine Arts using G.I. benefits. Birth, marriage, and death certificates are also found, along with Richenburg family memorabilia.
Correspondence consists mostly of family letters, including some illustrated letters and many handmade cards featuring original artwork. Condolence letters addressed to Marggy Kerr are from friends, relatives, colleagues, neighbors, and acquaintances.
Subject files contain various combinations of correspondence, printed material, photographs, writings and notes relating to Richenburg's professional career and personal life. They document exhibitions, gallery representation, gifts of art work to museums and individuals, memberships, teaching activities, former students, friendships, and other aspects of his life. Files of significant interest are: The Club, Tina Dicky and Madeline Amgott, Former Students (particularly Raphael Montanez Ortiz), Bonnie L. Grad and Lynne Moulton, Hans Hofmann, Ibram Lassaw, Philip Pavia, Pratt Institute, Hilla Rebay and the Museum of Non-Objective Painting, Tibor De Nagy Gallery, and Veterans Administration.
Writings by Richenburg consist of notes, reviews, artist's statements, and the text of a speech. Also included are quotations compiled over the years by Marggy Kerr of Richenburg's comments on art and life. Among the writings by others are student papers, reviews, and poems.
Sound and visual recordings include interviews with Robert Richenburg, often conducted as research for exhibitions. Videocassettes document events such as panel discussions, and artist gatherings; a few were produced in conjunction with museum exhibitions. Also found are videotapes by video artist Raphael Montanez Ortiz, Richenburg's friend and former student; Ortiz also appears on the DVD of Richenburg's memorial service.
Printed material includes items that are specifically about Robert Richenburg as well as items that incidentally mention him. The majority consist of exhibition catalogs and announcements.
Photographs show art work by Richenburg, exhibition openings and other events, and a variety of people and places. Among the events recorded is the "Artists Roundtable on Art of the '50s." Moderated by Dore Ashton, the panel included Herman Cherry, Sidney Geist, Ibram Lassaw, Mercedes Matter, and David Slivka. There are photographs of Richenburg's boyhood home in Roslindale, Mass., and his house in Ithaca, N.Y. He is pictured with others including family members, dealers, and curators. Of particular interest are photographs of Richenburg in Provincetown, Mass., 1952-1953, with friends, including: Giorgio Cavallon, Franz Kline, Ibram and Ernestine Lassaw, and Philip and Marcia Pavia. World War II photographs consist of images of art work (not by Richenburg), Richenburg and other individuals taken in France and England; a number include views of Shrivenham American University.
Citation:
Robert Richenburg papers, circa 1910s-2008, bulk, 1950-2006. Archives of American Art, Smithsonian Institution.
Related Materials:
An oral history interview of Robert Richenburg was conducted by Dorothy Seckler for the Archives of American Art, circa 1968.
Biography Note:
Robert Bartlett Richenburg (1917-2006) was a painter and educator in New York City, Ithaca, and East Hampton, N.Y.
Provenance:
Donated in 2008 by Margaret Kerr, widow of Robert Richenburg, on behalf of herself and his son Ronald Richenburg.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Educators
Video recordings
Art
Painters
Illustrated letters
Interviews
Photographs
Sound recordings
Sculptors
Abstract expressionism
Greeting cards
New York school of art
Record number:
(DSI-AAA_CollID)15629
(DSI-AAA_SIRISBib)281921
AAA_collcode_richrobe
Data Source:
Archives of American Art
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