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Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978

view Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978 digital asset number 1
Creator:
Catherine Viviano Gallery.
Subject:
Afro
Ashton, Dore
Baker, Richard Brown
Bareiss, Walter
Barker, Walter
Birolli, Renato
Bishop, Elizabeth
Broderson, Robert M
Callery, Mary
Chaet, Bernard
Cox, Jan
Dorazio, Piero
Dorazio, Virginia Dortch
Dubuffet, Jean
Dudensing, F. Valentine
Eisendrath, William N.
Ernst, Dallas
Faison, S. Lane (Samson Lane)
Fleischman, Barbara G.
Fleischman, Lawrence Arthur
Genauer, Emily
Giacometti, Alberto
Glasco, Joseph
Goodhue, Bertram Grosvenor
Gopel, Barbara
Gopel, Erhard
Graves, Morris
Guerrero, José
Hirschhorn, Joseph
Lerner, Abe
Ludgin, Earle
Mabe, Manabu
Manrique, César
McCray, Porter A.
Meltzer, Doris
Menil, Dominique de
Miller, Stephen Robeson
Minguzzi, Luciano
Miró, Joan
Morlotti, Ennio
Moyens, H. Marc
Myers, John Bernard
Ossorio, Alfonso A.
Perlin, Bernard
Price, Vincent
Pulitzer, Joseph
Rathbone, Perry Townsend
Krasne, Belle
Rockefeller, Nelson A. (Nelson Aldrich)
Rosenthal, Bernard M.
Sage, Kay
Seeger, Stanley J.
Shapiro, Meyer
Stout, George L. (George Leslie)
Tanning, Dorothea
Valentin, Curt
Van Veen, Stuyvesant
Viviano, Catherine
Wakabayashi, Kazuo
Yunkers, Adja
American Academy of Arts and Letters
American Federation of Arts
Art Club of Chicago
Art Institute of Chicago
Barnes Foundation
Brooklyn Museum
Carnegie Institute
City Art Museum of St. Louis
Colorado Springs Fine Arts Center
Dallas Museum of Fine Arts
Des Moines Art Center
Detroit Institute of Arts
Fogg Art Museum
Harvard University. Germanic Museum
Hirshhorn Museum and Sculpture Garden.
Los Angeles County Museum
Mary Washington College
Massachusetts Institute of Technology
Metropolitan Museum of Art (New York, N.Y.)
Museum of Fine Arts, Boston
Museum of Fine Arts, Houston
Museum of Modern Art (New York, N.Y.)
Pennsylvania Academy of the Fine Arts
Philadelphia Art Alliance
Santa Barbara Museum of Art
University of Virginia
Wadsworth Atheneum
Walker Art Center
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts
World House Galleries
Yale University.Art & Architecture Library
Place of publication, production, or execution:
United States
Physical Description:
11.6 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Summary:
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
Artists' files include biographical material; artists' statements; correspondence; sales and expense reports; lists and notes; guest lists; writings by others; receipts, invoices, and statements; printed material, including press releases, exhibition announcements, brochures, catalogues, clippings; and photographs of artwork and artists. Included are extensive files on Afro Basaldella, Renato Birolli, Robert Broderson, Anselmo Franesconi, Joseph Glasco, Manabu Mabe, César Manrique, Luciano Minguzzi, Ennio Morlotti, Bernard Perlin, Daniel Rice, and Bernard Rosenthal. There are also files on Jan Cox, Kay Sage, and Kazuo Wakabayashi.
Correspondence comprises the largest series in the collection and consists of general correspondence; correspondence with museums, galleries, and art-related institutions in the United States; and correspondence with museums, galleries, and art-related institutions abroad. Letters focus on routine business matters, e.g., appraisals and sales, acquisitions, and organizing exhibitions at the Catherine Viviano Gallery and other venues.
General correspondence includes letters between Catherine Viviano and artists and their family members. Among the correspondents are: Mary Callery, Bernard Chaet, Piero and Virginia Dorazio, Jean Dubuffet, Dallas Ernst, Karl Fortress, Alberto Giacometti, Henry Sage Goodwin, Morris Graves, José Guerrero, Earle Ludgin, Joan Miro, Alfonso Ossorio, Dorothea Tanning, Stuyvesant Van Veen, Adja Yunkers and his wife, Dore Ashton, among others. Also found is Viviano's correspondence with clients, many of whom were prominent collectors, e.g., Richard Brown Baker, Carl and Joan Fisher, Lawrence and Barbara Fleischman, Joseph Hirschhorn, Marc Moyens, Vincent Price, Joseph Pulitzer, Jr., Nelson Rockefeller, Stanley Seeger, and Frederick and Dorothy Zimmerman. Of interest, are letters from Elizabeth Bishop inquiring about the purchase of a work of art from the gallery. Included are letters from art historians, museum directors, curators, representatives at other art-related institutions, and publishers including Walter Bareiss, Walter Barker, Dominque De Menil, Valentine Dudensing, William Eisendrath, S. Lane Faison, Emily Genauer, Bertram Goodhue, Erhard and Barbara Göpel, James Laughlin, Porter McCray, Abram Lerner, Doris Meltzer, Stephen Robson Miller, John Bernard Myers, Perry Rathbone, Belle Krasne Ribicoff, Meyer Shapiro, George Stout, and Curt Valentin.
Correspondence with museums, galleries, and art-related institutions in the United States contains letters between Viviano and museum directors, curators, dealers, artists, and collectors pertaining to loans, shipping and delivery of artwork, appraisals and sales, and acquisitions. Files include substantive correspondence with the American Academy of Arts and Letters, American Federation of the Arts, Art Institute of Chicago, Arts Club of Chicago, the Barnes Foundation, Bristol Art Museum, Brooklyn Museum, Bundy Art Gallery, Carnegie Institute, City Art Museum of St. Louis, Cleveland Museum of Art, Colorado Springs Fine Arts Center, Dallas Museum of Fine Arts, Denver Art Museum, Des Moines Art Center, Detroit Institute of Arts, Fogg Art Museum, Harvard University, Hirschhorn Museum and Sculpture Garden, Institute of Contemporary Art, Los Angeles County Art Museum, Massachusetts Institute of Technology, Metropolitan Museum of Art, Museum of Fine Arts, Boston, Museum of Fine Arts of Houston, Museum of Modern Art, Pennsylvania Academy of the Fine Arts, Philadelphia Art Alliance, Santa Barbara Museum of Art, University of Nebraska Art Galleries, University of Virginia, Mary Washington College, Wadsworth Atheneum, Walker Art Center, William Rockhill Nelson Gallery of Art, Atkins Museum of the Fine Arts, World House Gallery, and Yale University Art Library.
Correspondence with museums, galleries, and art-related institutions abroad primarily concerns the lending of artwork for exhibitions, acquisition and sales; also included are letters requesting biographical information on artists. Letters between Catherine Viviano and representatives of Max Beckmann Gesellschaft Archiv and Galerie Gunther Franke contain provenance-related information on Beckmann's work.
Business records document the routine business operations of the gallery. Printed material includes an incomplete run of Catherine Viviano Gallery exhibition catalogues; invitations and announcements from other galleries and institutions; and miscellaneous printed material.
Photographs include three images of miscellaneous artwork used for art reference.
Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
Related Materials:
Among the other resources relating to Catherine Viviano Gallery in the Archives of American Art are the Kay Sage papers, 1925-circa 1985, bulk 1950-1965.
Biography Note:
Catherine Viviano (1889-1992) was an art dealer and consultant from New York, N.Y. In 1950 Catherine Viviano established her gallery at 42 East 57th Street, New York, NY.; the gallery was closed in 1970.
Provenance:
Donated 2003 by Margaret Viviano, Catherine Viviano's sister. The Estate of Catherine Viviano was left to her sister Margaret Viviano. Power of attorney for Margaret Viviano has been invested in her grandnephew, Peter C. Salerno who signed the deed.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Art
Art dealers
Art galleries, Commercial
Painting
Photographs
Sculpture
Record number:
(DSI-AAA_CollID)11096
(DSI-AAA_SIRISBib)243136
AAA_collcode_cathvivi
Theme:
The Art Market
Lives of American Artists
Women
Art Gallery Records
Data Source:
Archives of American Art
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