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Charles Campbell Gallery records, 1960-2001

view Charles Campbell Gallery records, 1960-2001 digital asset number 1
Creator:
Charles Campbell Gallery (San Francisco, Calif.)
Subject:
Graves, Morris
Harvey, Robert
Hattis, Phyllis
Van Hoesen, Beth
Thiebaud, Wayne
Morton, Geer
Villa, Carlos
Asawa, Ruth
Reichman, Fred
Mattox, Charles
Wonner, Paul
Bellocq, E. J.
Berlind, Robert
Brown, Joan
Olivera, Nathan
Farr, Charles Griffin
Sanchez, Stephani
Battenberg, John Nelson
Cook, Gordon
Ghent, Henri
Rustin, Jean
Bischoff, Elmer Nelson
Allagaert, Peter
Brown, William Theo
Goray, John
Qualters, Robert
Guest, Barbara
Forum Gallery (New York, N.Y.)
San Francisco Art Dealers Association
Felix Landau Gallery
Allan Stone Gallery
Canfield Gallery
Bryce Bannatyne Gallery
Trini Gallery
Place of publication, production, or execution:
United States
Physical Description:
17.6 linear feet
Access Note / Rights:
Use of papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Serices for more information.
Summary:
The records of the Charles Campbell Gallery in San Francisco date from 1960 to 2001 and measure 17.6 linear feet. The records include business correspondence with galleries, curators, trusts, and individual buyers and sellers; business records consisting of administrative files, business notebooks, and financial material; artist and exhibition files; and Charles Campbell's related personal files that include correspondence, catalogs, newsletters, and clippings about jazz, and photos and travel. Substantial artist files exist for Nathan Oliveira, which contain original artwork and photos of the artist, Peter Allegaert, Gordon Cook, Charles Griffin Farr, Morris Graves, Robert Harvey, Geer Morton, Fred Reichman,Jean Rustin, Stephani Sanchez, and Wayne Thiebaud, among others.
The records are a rich resource for documenting the Bay Area Figuration art movement in the San Francisco region.
Business correspondence is with galleries, curators, trusts, and individuals mostly regarding loans and sales. Correspondents include Allan Stone Gallery, Bryce Bannatyne Gallery, Canfield Gallery, Forum Gallery, Felix Landau Gallery, Henri Ghent, Barbara Guest, Phyllis Hattis, and Trini Gallery, among many others. Although there is scattered correspondence with artists filed among the business correspondence, the bulk of the gallery's correspondence with artists is found in the Artist and Exhibition Files.
Business records include administrative files comprised of mailing lists, business registration records, newsletters, information about affiliated organizations (including The San Francisco Art Dealers Association), and records and clippings about arts law. Gallery notebooks contain information about the gallery's day-to-day activities and also include inventories, contacts, accounting information, and lists of business arrangements and dealings. Financial materials include appraisal and consignment records, invoices, insurance records, donation records, and a vendor analysis report comprise the financial material.
Almost two-thirds of the collection is comprised of artist and exhibition files. In addition to the artistis listed above, there are substantial artist files for Ruth Asawa, E. J. Bellocq, Elmer Bischoff, Robert Berlind, John Battenberg, Joan Brown, William Theophilus Brown, Charles Mattox, Robert Qualters, Beth Van Hoesen, Carlos Villa, Paul Wonner, among many others. The artist files also include artwork, such as pen and ink and pencil sketches by Peter Allegaert, ink and gouache sketches by Nathan Oliveira, and a pen and ink sketch by John Goray. Scattered photos depict artists (notably Oliveira), their studios, artwork and installation shots, and exhibition attendee notebooks document shows from 1978 to 1987.
The collection also contains personal correspondence and files relating to Charles Campbell's interest in jazz and travel. These records include music catalogs, clippings, newsletters, correspondence, brochures, tickets, maps, travel agendas, and photos. Campbell's personal correspondence is scattered throughout the collection, and documents Charles' and his wife Esther's friendships with artists and others.
Citation:
Charles Campbell Gallery records, 1960-2001. Archives of American Art, Smithsonian Institution.
Biography Note:
The Charles Campbell Gallery was established by Charles Campbell in 1972 in North Beach, San Francisco, following his ownership of The Louvre, a frame shop that he established in 1947.
Provenance:
Charles Campbell donated the Charles Campbell Gallery records in 2002.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Visitors' books
Figurative art
Sketches
Travel
Jazz
Art galleries, Commercial
Artists' studios
Law and art
Record number:
(DSI-AAA_CollID)5991
(DSI-AAA_SIRISBib)229525
AAA_collcode_campgall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
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