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Fendrick Gallery records, 1952-2001

view Fendrick Gallery records, 1952-2001 digital asset number 1
Creator:
Fendrick Gallery
Subject:
Arneson, Robert
Bailey, William
Benes, Barton Lidic
Brush, Daniel
Castle, Wendell
Cottingham, Robert
Drake, James
Dreyfuss, John
Dusenbery, Walter
Frankenthaler, Helen
Gilliam, Sam
Johns, Jasper
Kaskey, Raymond J.
Lalanne, Claude
Lalanne, Fran­cois Xavier
da Conceicao, Maria
Paley, Albert
Raffael, Joseph
Summers, Carol
Tenneson, Joyce
Woodyard, William
Barbara Fendrick Gallery
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Place of publication, production, or execution:
United States
Physical Description:
105.6 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Summary:
The records of Fendrick Gallery consist primarily of artist's files (41.5 linear feet) documenting the gallery's relationship with over 300 contemporary artists, including painters, printmakers, and craftsmen. Among the artists represented are Robert Arneson, William Bailey, Barton Benes, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler, Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley (14.6 linear feet), Joseph Raffael, São (Maria da Concei­cão), Carol Summer, Joyce Tenneson, William Woodyard, and many others. Also found are files relating to commission and other special projects, printmaking and sales, exhibitions, gallery finances and administration, as well as the gallery's relationships with other galleries and museums.
Series 1, Artist's Files, measures almost 42 linear feet and dates from 1962-2001. Found here are files documenting the gallery's relationship with over 300 contemporary artists. Files typically contain correspondence, sales receipts, printed materials, exhibition catalogs and announcements, commission information, photographs, slides, and other materials.
Series 2, Albert Paley, 1970-2001, and undated, provides detailed documentation (14.6 linear feet) of the Fendrick gallery's representation of prominent American metal sculptor Albert Paley. The gallery represented Paley from the early 1980s through the early 1990s and devoted a great deal of its resources promoting Paley's work through exhibitions and commissioned sales. Correspondence between the Fendrick Galleries and Paley Studios is found in this series, along with publicity materials, commission proposals and sketches, exhibition materials, and audio-visual and photographic documentation of Paley's work. Researchers should also consult Series 3 for additional documentation of Paley's commissioned projects.
Series 3, Commissioned Works and Projects, 1972-2000, and undated, documents the variety of commissions and special projects the gallery arranged and managed on behalf of its represented artists. Because privately commissioned work and government-sponsored public art projects represented a significant source of revenue for the Fendrick galleries, the gallery devoted a substantial amount of time and resources towards securing these projects. These files contain applications, proposals, sketches, correspondence, photographs and other material arranged by name of project.
Series 4, Exhibition Files, 1961, 1970-1996, and undated, houses files relating to exhibitions organized by Fendrick Gallery. Found here are exhibition announcements, invitations, and catalogs; specific named exhibition files; and files concerning special projects or exhibitions, often jointly curated with other galleries or institutions. The Fendrick gallery was also actively involved in various governmental programs, such as Art in the Embassies Program, and organized traveling exhibits or loaned artwork to them.
The gallery's relationships with other galleries, museums, institutions, and art organizations is documented in Series 5, Museums and Galleries Files, 1952-2000, and undated. Many of the files concern loans, exhibition venues, and joint exhibitions or projects.
Series 6, Subject Files, 1952, 1960-2001, and undated contain numerous files arranged by subject heading. Here, researchers will find information collected and maintained by the gallery on various art medium, artists of interest, exhibition catalogs from museums and other galleries, information about small and fine art presses. Of particular interest are several folders entitled "Fine Art Printers & Publishers." Barbara Fendrick's early years in the art business centered upon exhibiting, promoting, and selling prints produced by young, emerging American artists. The information found here documents her growing personal relationships with some of the most prominent artists and printmakers of this era.
Records documenting administrative, business, operating, and financial affairs are arranged in Series 7, Administrative and Financial Files, 1960-2001, and undated. Found here are records of both the Barbara Fendrick Gallery (New York) and the Fendrick Gallery (Washington, D.C.), as well as files that document Barbara Fendrick's role as art consultant, appraiser, lecturer, exhibition juror, and guest curator. Found are numerous inventory cards, insurance records, consignment files, general correspondence, lists, loan files, notebooks, real estate files, card files on artists and clients, and history files. Of particular interest are the Day Books/Dailies maintained by the New York gallery staff consisting of entries and notes regarding prospective clients and their interests. The Telephone Log Books contain details of telephone conversations with artists, clients, dealers, and other art professionals. Series 7 also houses the financial records of both galleries, including invoices, financial statements, expenses, accounts, and tax records.
Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
Biography Note:
Art gallery; Washington, D.C. Owned by Barbara Fendrick. Specialized in contemporary art, especially clay, furniture, metal, and book art. Est. 1960 in Barbara Fendrick's Washington, D.C. area home. In May, 1970, moved to Georgetown, and in 1987 and 1988 expanded and opened the Barbara Fendrick Gallery in the SoHo section of New York City. Both the Fendrick Gallery and the Barbara Fendrick Gallery closed in the summer of 1991.
Provenance:
Donated 1999 by Barbara Fendrick, owner of the Fendrick Gallery. Processing of the collection and preparation of the finding aid were done by Patricia Craig with funds provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Account books
Art
Art galleries, Commercial
Art, Modern
Artists
Artists' books
Furniture designers
Jewelers
Metal-workers
Painters
Photographs
Printmakers
Sculptors
Record number:
(DSI-AAA_CollID)6271
(DSI-AAA_SIRISBib)216614
AAA_collcode_fendgall
Theme:
The Art Market
Art Gallery Records
Craft
Data Source:
Archives of American Art
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  • Benes, Barton Lidic
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