Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
The papers of Boston portraitist and painter Polly Thayer (Starr) (1904-2006) measure 21.4 linear feet and date from 1846 to 2008, with the bulk of the materials dating from 1921-2008. The papers document Thayer's personal life and career as a painter, portraitist, and pastel artist. Found within the papers are biographical materials, extensive family papers, correspondence with artists and art venues, interviews, writings, subject files, organization files, exhibition files, art inventory records, printed materials, five sketchbooks, artwork, and photographs.
Biographical material includes a marriage certificate, school records, inventories of possessions, passports, files about the 1923 Great Kanto earthquake in Japan, and a few personal and scattered financial documents such as invoices and receipts for various art related expenses.
Extensive family papers on many of Polly Thayer's immediate and extended family members include obituaries, condolence letters, writings, and printed materials. The most voluminous files are about Polly Thayer's husband Donald Carter Starr, her mother Ethel Randolph Thayer, and her father Ezra Ripley Thayer.
There is limited correspondence with friends and and colleages, including Royal Cortissoz, Philip Hofer, Tasha Tudor (photocopies), Dorothy Koval, the curator who wrote about Thayer for her first show at Vose Galleries in 2001, as well as two art consultants who helped Thayer inventory her artwork. The bulk of the correspondence is with museums, galleries, and other venues such as the Boston Museum of Fine Arts, Copley Society of Boston, and Vose Galleries.
Interviews with Polly Thayer include transcripts as well as sound and video recordings. There is also a sound recording of poet and professor Doris Abramson discussing Catherine Sargent Huntington.
Writings include typescript and handwritten drafts of essays, notebooks, and notes on assorted topics. The bulk of the material was written by Thayer, with a few writings by others.
Subject files are found for people and general interests. The "People" files are collected documents about Thayer's friends, colleagues, artists, and portrait subjects. The files include short biographies, articles, obituaries, a few photographs, two videocassettes and one sound recording. The most voluminous files are on Francis DeLancey Cunningham, the Howe family, Rose Nichols, May Sarton, John Brooks Wheelwright, and Agnes Yarnall. Thayer's "Interests" files consist of articles and clippings on various topics such as animals, humor, and pacifism.
Organization files contain materials related to Polly Thayer's charitable contributions, club memberships and affiliations, including The Chilton Club, Nucleus Club, Religious Society of Friends, and Trustees of Reservations, among others. These files contain seven sound recordings.
Exhibition files contain exhibition catalogs, reviews, clippings, notes, inventory price lists, and other materials about Thayer's solo and group shows.
Art inventory records consist of dismantled binders of inventories that also include photographs of artwork and descriptive information such as the title, medium, and dimensions. There are also photographic inventories of works of art arranged by subject, and several partial art inventories.
Printed materials include two scrapbooks compiled by Polly Thayer's mother containing articles about Thayer, magazines, journals, exhibition catalogs, brochures, exhibition invitations, postcards, clippings, and miscellaneous materials.
Five sketchbooks include figure drawings, portrait sketches, and landscape sketches. Also found are loose drawings of animals, landscapes, and people.
Disbound binders of photographs contain images of works of art that are grouped by subject, including portraits, landscapes, and "mystical/flowers/animals," as well as personal photographs of Polly Thayer and family members, houses, social events, pets, and friends. There is one small disbound photograph album of houses and properties.
An addition of one notebook donated 2106 includes Thayer's firsthand account of the Great Kanto Earthquake from on board the Empress of Australia steamship docked at Yokohama, Japan, September 1, 1923, written by Thayer 48 hours after the event.
Polly Thayer (Starr) papers, 1846-2008, bulk 1921-2008. Archives of American Art, Smithsonian Institution.
Funding for the processing of this collection was provided by the Polly Thayer Starr Charitable Trust.
The Archives of American Art also holds an oral history interview of Polly Thayer conducted May 12, 1995-February 1, 1996, by Robert F. Brown.
The Polly Thayer Starr Charitable Trust holds archival materials and artwork by Polly Thayer.
Polly Thayer (Starr) (1904-2006) was a Boston painter of portraits, landscapes, and still lifes.
The Polly Thayer (Starr) papers were donated to the Archives of American Art by Polly Thayer in 1998 and again in 2008 by Thayer via Stephanie S. Wright, executor. An additional notebook was donated 2016 by Dinah Starr, daughter of Polly Thayer (Starr).
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001