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Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990

view Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990 digital asset number 1
Ankrum Gallery
Duveneck, Frank
Secunda, Arthur
Halpert, Edith Gregor
Groth, Bruno
Mesches, Arnold
Broderson, Morris Gaylord
Bauer, Richard
Schuler, Melvin
Jackson, Suzanne
Johnson, Buffie
Herschler, David
Casey, Bernie
Almaraz, Carlos
Feitelson, Lorser
Andrews, Benny
Block, Irving
Miller, Henry
Lundeberg, Helen
Caryl, Naomi
Varda, Jean
Homer, Jessie
Shores, Kenneth
Hirshhorn, Joseph H.
Ankrum, Joan
Hirshhorn, Olga
Storm King Art Center
Hirshhorn Museum and Sculpture Garden.
Staempfli Gallery (New York, N.Y.)
Art Dealers Association of America
California Arts Council
San Diego Museum of Art
Paramount Pictures
Black Arts Council (Washington, D.C.)
Krannert Art Museum
Laguna Art Museum (Laguna Beach, Calif.)
Palm Springs Desert Museum
Place of publication, production, or execution:
United States
Physical Description:
41.5 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.
General correspondence is with artists, museums, collectors, and clients, and generally concerns sales, exhibitions, and consignments. Correspondents include Irving Block, Morris Broderson, Naomi Caryl, Suzanne Jackson, Joseph and Olga Hirshhorn, among many others. Correspondence is also found in the artists' files and the collector/client files.
Project files document various events, benefits, and projects undertaken by the gallery, including a UNICEF benefit, "Up Against Hunger," the Exceptional Children's foundation, and the Young Art Patrons.
Administrative files document many activities of the gallery, such as the gallery's and Joan Ankrum's membership in the Black Arts Counts, the California Arts Council, and the Art Dealers Association of California of which Joan Ankrum was a primary organizer. Also found are publicity files, a file on the history of the gallery, leases, floor plans, insurance documents, lists of graphics for sale, and other miscellany.
Exhibition files appear to be incomplete, but do include files for Huichol Indian's art, "The Art of African Peoples" (1973), "Five Contemporary Mexican Painters" (1977), Ethiopian Folk Painting (1978), San Diego Museum of Art Artists Guild All Media Exhibition (1982), "25th Anniversary Exhibition" (1985), among several others.
Extensive artists' files include correspondence, price lists,photographs and slides, resumes and biographical material, and sales invoices. Files are found for Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev, among many others. Files for Pat Alexander and Andy Nelson also contain motion picture film.
Collector and client files document the gallery's relationship with over 115 collectors, museums, and art centers. Files may include correspondence and sales records. Files are found for Edith Halpert, Olga and Joseph Hirshhorn and the Hirshhorn Museum and Sculpture Garden, the Krannert Art Museum, Laguna Art Museum, Palm Spring Desert Museum, Paramount Pictures, San Diego Museum of Art, Staempfli Gallery, and Storm King Art Center, among many others.
Financial material documents sales through numbered invoices, consignments, loans, and insurance valuations. Printed material consists of exhibition catalogs and announcements, bulletins, periodicals, and newspaper clippings. One unbound scrapbook contains clippings and exhibition materials.
Photographs are of artwork, artists, and gallery openings. Additional photographs are found in the artists' files.
Joan Wheeler Ankrum personal papers document her personal and professional relationship with family, artists, and collectors. They include correspondence, personal writings, personal financial materials, printed material and loose scrapbook materials, family photographs and photographs of her as an actress, and artwork from various artists.
The papers of artist Morris Broderson, nephew of Joan Ankrum, document his professional relationship with the gallery as his primary dealer. Included are biographical materials, correspondence, publicity files, travel files, projects, exhibitions, collector/client files, financial material, printed material, photographs, and artwork.
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Joan Ankrum, one conducted by Betty Hoag, April 28, 1964, and a second by Paul Karlstrom, November 5, 1997-February 4, 1998. Additionally, there is an oral history interview with Morris Broderson conducted by Paul Karlstrom, March 11-13, 1998.
Biography Note:
The Ankrum Gallery was established 1960 in Los Angeles by American film actress Joan Wheeler Ankrum and William Chalee. The gallery closed in 1989.
The Ankrum Gallery records were donated to the Archives of American Art by Joan Ankrum in 1995.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Art galleries, Commercial
Record number:
The Art Market
Lives of American Artists
Art Gallery Records
Data Source:
Archives of American Art
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