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An etching by Zimmerman; photographs of Zimmerman, his wife, Spanish gypsies used as models, and of artwork by Zimmerman and Hyman Bloom; and newspaper clippings, 1933. Other material includes sympathy letters received by Mrs. Zimmerman after Harold Zimmerman's death in 1941; letters referring to sales of artwork and a possible exhibition of Zimmerman's work at the Fogg Art Museum, 1941-1954; typescript of "An Experiment in Art Teaching" by Denman W. Ross with illustrations and captions describing Zimmerman's experimental teaching method of drawing to the young Hyman Bloom and Jack Levine; and an incomplete edited typescript with a draft of a letter by Ross to Paul J. Sachs about Zimmerman's teaching experiment, 1930.
Harold K. Zimmerman papers, l930-1954. Archives of American Art, Smithsonian Institution.
Microfilm reel 4961 available at Archives of American Art offices and through interlibrary loan.
Painter, art instructor; Cambridge, Mass. Zimmerman developed an experimental method of teaching drawing from memory or the "visual imagination." He was the first drawing teacher of Boston Expressionists Hyman Bloom and Jack Levine in ca. 1928-1929. Denman Ross, an influential educator, art collector and painter, became the instructor and patron of Bloom and Levine shortly after he wrote his essay on Zimmerman's experiment in art teaching.
Donated 1991 by Richard Derby, who received the papers from his mother, Mrs. Hasket (Elizabeth) Derby, the widow of Harold Zimmerman.
Art Materials, Techniques, and Studio Art Education
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001