Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
The papers of photographer Nickolas Muray measure 0.9 linear feet and date from 1910 to 1978. Found within the papers are biographical materials; business and personal correspondence, including a handful of letters from Frida Kahlo; writings; teaching files, primarily of photography courses taught at New York University; printed material; artwork; and photographic materials of Muray, his family and friends, and his work.
Nickolas Muray papers, 1910-1978. Archives of American Art, Smithsonian Institution.
The bulk of the collection was digitized in 2016 and is available on the Archives of American Art's website. Materials which have not been scanned include blank pages, blank versos of photographs, and duplicates. In some cases, published books and other publications have had their covers, title pages, and relevant pages scanned.
Nickolas Muray (1892-1965) was a portrait photographer. Born in Hungary. Began as professional photographer around 1921. In the 1930s, he established one of the first color labs in the United States and became a master of the carbro process. He also wrote reviews for "Dance" magazine, flew airplanes, and in 1928 and 1932, he represented the United States as a member of the Olympic Fencing Team.
The papers were donated in 1988 by Muray's daughter, Mimi Murray.
This site provides access to the papers of Nickolas Muray in the Archives of American Art that were digitized in 2016, and total 1,031 images.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001