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Katharine Kuh papers, 1875-1994, bulk, 1930-1994

view Katharine Kuh papers, 1875-1994, bulk, 1930-1994 digital asset number 1
Creator:
Kuh, Katharine, 1904-1994
Subject:
Adams, Ansel Easton
Albers, Josef
Albright, Ivan
Archipenko, Alexander
Arensberg, Louise S. (Louise Stevenson)
Arensberg, Walter
Arp, Jean
Barnet, Will
Barr, Alfred H.
Biddle, George
Breuer, Marcel
Calder, Alexander
Campoli, Cosmo
Chagall, Marc
Chavez Morado, José
Chermayeff, Serge
Cornell, Joseph
Cox, Richard
Davis, Stuart
Day, Worden
De Kooning, Willem
Dickinson, Edwin Walter
Dubuffet, Jean
Duchamp, Marcel
Elizabeth
Ernst, Jimmy
Falkenstein, Claire
Feitelson, Lorser
Friendly, Fred W.
Giacometti, Alberto
Golub, Leon
Goto, Joseph
Grabe, Klaus
Graves, Robert
Guggenheim, Peggy
Guston, Philip
Hare, David
Hare, Denise Browne
Hayter, Stanley William
Hirshhorn, Joseph H.
Hélion, Jean
Hofmann, Hans
Inverarity, Robert Bruce
Johns, Jasper
Johnson, Philip
Johnson, Ray
Kandinsky, Wassily
Kepes, Gyorgy
Kepes, Juliet
Klee, Paul
Kline, Franz
Knox, Seymour H.
Le Corbusier
Léger, Fernand
Lundeberg, Helen
Lye, Len
Mies van der Rohe, Ludwig
Millier, Arthur Henry Thomas
Mérida, Carlos
Moholy-Nagy, László
Motherwell, Robert Burns
Nutting, Muriel Leone Tyler
Nutting, Myron Chester
O'Higgins, Pablo
Orozco, José Clemente
Ozbekhan, Hasan
Perkins, Frances
Picasso, Pablo
Pollack, Peter
Putnam, Wallace
Ray, Man
Rich, Daniel Catton
Rothko, Mark
Sandburg, Carl
Seligmann, Kurt
Shackelford, Shelby
Shahn, Ben
Spaeth, Otto
Sterne, Hedda
Stevenson, Adlai E. (Adlai Ewing),
Still, Clyfford E.
Tanning, Dorothea
Tobey, Mark
Wiston, Harry Lewis
Woolf, Olga
Young, Victor
Albright-Knox Art Gallery
Art Institute of Chicago
Katharine Kuh Gallery (Chicago, Ill.)
Biennale di Venezia
Place of publication, production, or execution:
United States
Physical Description:
12.1 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12.1 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.
Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.
There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.
Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.
Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.
Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.
Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.
Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.
Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.
Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.
Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.
Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.
Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Citation:
Katharine Kuh papers, 1875-1994, bulk, 1930-1994. Archives of American Art, Smithsonian Institution.
Additional Forms:
Portions of this collection are available on microfilm reels 265, 267, 2225-2227, and 2288 at Archives of American Art offices, and through interlibrary loan. Researchers should note that the arrangement of the collection as described in this finding aid may not reflect the order of the collection on microfilm.
Use Note:
Entire collection (excluding art work from Art Institute of Chicago): Authorization to quote or reproduce for purposes of publication requires permission; obtain additional information from AAA Reference staff.
Related Materials:
Additional Katharine Kuh papers also located at: Yale University.
Biography Note:
Katharine Kuh (1904-1994) was an art consultant, curator, and critic working in Chicago and New York City.
Provenance:
Donated 1971-1994 by Katharine Kuh and the Katharine Kuh estate. In addition, 147 works of art determined to have been made expressly for Kuh, or dedicated to her, were donated 1995 by the Art Institute of Chicago, which had received them from the Kuh estate along with other works of art in Kuh's collection.
Theme:
Art Theory and Historiography
Women
Art Gallery Records
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Art critics
Art festivals
Art galleries, Commercial
Art, Abstract
Art, American
Art, Modern
Authors
Awards
Calendars
Collages
Drawings
Illustrated letters
Lecture notes
Lectures
Lithographs
Minutes
Paintings
Photographs
Poetry
Prints
Resumes
Sales records
Scrapbooks
Sound recordings
Travel diaries
Visitors' books
Watercolors
Wills
Women art critics
Women art critics
Women art dealers
Women art dealers
Women art historians
Women museum curators
Record number:
(DSI-AAA_CollID)9951
(DSI-AAA_SIRISBib)212503
AAA_collcode_kuhkath
Data Source:
Archives of American Art

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