Clay Spohn papers, circa 1862-1985, bulk, 1890-1985
Spohn, Clay Edgar, 1898-1977
Still, Clyfford E.
McChesney, Mary Fuller
Corbett, Rosamond Walling Tirana
School of Visual Arts (New York, N.Y.)
University of California, San Francisco.School of Fine Arts
Place of publication, production, or execution:
19.9 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
The Clay Spohn papers measure 19.9 linear feet and date from circa 1862 to 1985, with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, artwork, printed material, and photographs reflecting the life and career of painter and educator Clay Spohn.
Clay Spohn papers, circa 1862-1985, bulk, 1890-1985. Archives of American Art, Smithsonian Institution.
Part 1 of the collection is available on microfilm reel D169. Part 2 is partially available on microfilm reels 5461-5474. The microfilm is available for interlibrary loan.
Location of Originals:
Reel D169: Originals returned to lender, Clay Spohn, after microfilming.
Clay Spohn (1898-1977) was a painter and educator from New York, N.Y. Born in San Francisco, Spohn studied at the Art Students League from 1922 to 1924, under George Luks, and Guy Pene Du Bois, and became acquainted with Alexander Calder. From 1926 to 1927, he studied in Paris at the Academie Modern. Returning to San Francisco in 1927, Spohn became an active member in the Bay Area art scene. In 1945, Spohn was employed as instructor of drawing and painting at the California School of Fine Arts, where he befriended Mark Rothko and Clyfford Still. Spohn moved to Taos, N.M., in 1952, and participated in several national exhibitions, but by 1964, he had returned to New York and taught at the School of Visual Arts until 1969. In 1971, the Oakland Museum sponsored a retrospective of Spohn's work.
The material on reel D169 was lent for filming by Clay Spohn in 1964. The material on reel 5461-5474 was donated by Spohn's friend and the executor of his estate, Urban Neininger, in 1978.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001