ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Use of original papers requires an appointment and is limited to Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
The papers of Southern California painter Stanton Macdonald-Wright measure 3.1 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork.
Writings consist of drafts of essays, plays, and book manuscripts. There are drafts of "A Treatise on Color," with palettes and color wheels, "The Basis of Culture," and Macdonald-Wright's autobiography "Bittersweet: An Artist's Life."
There are six diaries and numerous travel journals. One diary was written in Paris in 1909 in which Macdonald-Wright muses over the aesthetics of art and his color theories. Five additional disbound diaries cover his life from 1939-1973. Travel journals date from 1959-1972 and cover trips to Italy, Japan, and Hawaii.
Printed material includes a copy of "Les Synchromistes" exhibition catalog, a newspaper clipping, and "The Future of Painting," by Willard Wright. Artwork consists of blueprints for Macdonald-Wright's Synchrome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913 and finally completed in the late 1950s.
Stanton Macdonald-Wright papers, 1907-1973. Archives of American Art, Smithsonian Institution.
Microfilm reels LA 1 and LA 5 available at Archives of American Art offices through interlibrary loan.
Location of Originals:
Portions of the collection are available on 35 mm microfilm reels LA1 and LA5 at Archives of American Art offices, and through interlibrary loan.
Funding for the processing of this collection was provided by the Frederick Hammersley Foundation.
Materials microfilmed on reel LA1 and LA5 were loaned to the Archives of American Art in 1964 and returned to Stanton Macdonald-Wright after microfilming. They include a brochure on the Santa Monica Library murals and six photographs of the panels while in Macdonald-Wright's studio. There is also a 1939 exhibition catalog for "Southern California Art Project" a master's thesis on Macdonald-Wright by Dori Jean Watson (1957), and one scrapbook of photographs, clippings, and other printed materials dating from circa 1910-1964.
The Archives of American Art holds several collections related to the Stanton Macdonald-Wright papers. There is an oral interview of Stanton Macdonald-Wright conducted 1964 April 13-September 16, by Betty Hoag. There are also Stanton Macdonald-Wright Letters to Alan and Fanny Leslie, the Stanton Macdonald-Wright Collection of photographs, Stanton Macdonald-Wright Letters to Morgan Russell, Walter Houk Letters from Stanton Macdonald-Wright, and an Oral History of Stanton Macdonald-Wright by Jeanne M. Marshall for the Voice of America Conducted in 1967.
Stanton Macdonald-Wright (1890-1973) was the creator of a modernist style of painting based on pure spectral color known as chromatic abstraction or "Synchromism," who worked in New York and Los Angeles.
The bulk of the Stanton Macdonald-Wright papers were donated to the Archives of American Art by his widow, Jean Macdonald-Wright, in 2 installments in 1995. The artist's unpublished autobiography was donated to the Archives by gallery owner David Nellis in 1978.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001