Nelson and Henry C. White research material, circa 1851-1961
White, Nelson C. (Nelson Cooke), 1900-1989
White, Henry Cooke, 1861-1952
Thayer, Emma B.
Thayer, William Henry
Brush, George de Forest
Thayer, Abbott Handerson
Sargent, John Singer
Taber, E. M.
Fuertes, Louis Agassiz
Freer, Charles Lang
Kaup, Elizabeth Dewing
Whistler, James McNeill
Benson, Frank Weston
Tryon, Dwight William
Williams, George Alfred
Roosevelt, Franklin D. (Franklin Delano)
Thayer, Kate Bloede
Dewing, M. O. (Maria Oakey)
Barnard, George Grey
Dewing, Thomas Wilmer
Currier, J. Frank (Joseph Frank),
Churchill, Alfred Vance
Tryon Art Gallery
Place of publication, production, or execution:
4.5 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
The research material of Connecticut artists and authors Nelson and Henry C. White, measures 4.5 linear feet and dates from circa 1851-1961. The bulk of the collection consists of Nelson C. White's correspondence, writings, and research, primarily related to J. Frank Currier and Abbott Handerson Thayer, and referencing Thomas Wilmer Dewing. Also found are the correspondence, writings, and research files of Nelson's father, Henry C. White, primarily relating to Dwight W. Tryon. Research files include artist correspondence, writings and notes, printed material, photographs of the artists, and photographs of artwork and exhibition installations.
Nelson C. White's correspondence is with Elizabeth Currier, gallery owners, and other individuals in possession of artwork by Currier, conducted during his research on J. Frank Currier, as well as with Elizabeth Dewing Kaup and others concerning his research on Thomas Wilmer Dewing. Miscellaneous material includes reviews of White's autobiography on Abbott Handerson Thayer, and White's ink sketches for a holiday card.
Nelson C. White's writings and notes consist of annotated drafts of "Abbott H. Thayer: Painter and Naturalist," "The Life and Art of J. Frank Currier," and articles including "Cremona," and "The Art of Thomas W. Dewing."
White's research files form the bulk of the collection. 9 folders of research material on J. Frank Currier consist primarily of photos of artwork and of an installation at Lyman Allyn Museum, but also include a transcript of Currier's 1870 diary, and 3 photographs (copy prints) of Currier. White's research material on Abbott Handerson Thayer is substantial and includes: biographical material on Thayer, such as family reminiscences by Thayer's daughter, Gladys Thayer, and his father, William Henry Thayer; copies and originals of Thayer's letters to his first wife, Kate Thayer, and his second wife, Emma Beach Thayer, and correspondence with William Henry Thayer; typescript copies and originals of Thayer's correspondence with artists, politicians, naturalists and others including George Grey Barnard, Frank Weston Benson, George de Forest Brush, Royal Cortissoz, Maria Oakey Dewing, Thomas Wilmer Dewing, Charles Lang Freer, Louis Agassiz Fuertes, Franklin D. Roosevelt, Theodore Roosevelt, Augustus Saint-Gaudens, John Singer Sargent, Edward Martin Taber, and George Alfred Williams; annotated drafts of Thayer's writings and notes on art, philosophy, and nature including his theories on concealing coloration and wildlife preservation; printed material including 2 Thayer exhibition catalogs and news clippings of Thayer's letters to editors; and photographs of Thayer, his family and friends, his home and studio, and his artwork.
Henry C. White's papers include a folder of White's correspondence relating to the publication of his book, "The Life and Art of Dwight William Tryon and including a letter from Elizabeth Currier; drafts of his biography of Tryon, including revisions by Mrs. Bender, Alfred Vance Churchill, and Mr. Rossiter; research material on Tryon including transcripts of letters from Tryon to George Alfred Williams, from Charles Lang Freer to Tryon, and from James McNeill Whistler to Henri Fantin-Latour; a typescript of autobiographical "notes and recollections" by Tryon; and photographs of Tryon, his home and studio, his artwork, and the Tryon Art Gallery at Smith College.
Nelson and Henry C. White research material, circa 1851-1961. Archives of American Art, Smithsonian Institution.
The bulk of the collection was digitized in 2015 and is available on the Archives of American Art's website. Materials which have not been scanned include copies of manuscripts with no significant annotations, the full text of some publications for which only covers, title pages, and relevant pages have been scanned, blank versos of photographs, negatives for which copy prints exist, and duplicates.
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Originals of loaned material, including autobiographical notes by Tryon, letters to Nelson C. White and Henry C. White, photographs of artwork, and an article, were returned to Nelson C. White after microfilming. Loaned material is available on reels 1330 and 2807, but is not described in the Container Listing of this finding aid.
The Archives of American Art holds several collections related to the Nelson and Henry C. White research material on Abbott Handerson Thayer and Dwight William Tryon. These include research material on Abbott Handerson Thayer and other artists, 1895-1990, donated by Thomas B. Brumbaugh; the Abbott Handerson Thayer letter and drawings to Caroline Peddle Ball, circa 1890-1893; and the Dwight William Tryon papers, 1872-1930.
Connecticut painter, art historian, and collector, Nelson C. White (1900-1989) was born in Waterford, Connecticut, to artist Henry C. White.
The collection was acquired by the Archives of American Art in three installments and microfilmed after receipt. 2 linear feet of material were purchased from Nelson C. White in 1956, followed by two gifts from White in 1978 and 1983.
This site provides access to the research material of Nelson and Henry C. White in the Archives of American Art that were digitized in 2016, and total 9,815 images.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001