Frank and Elizabeth Boott Duveneck papers, 1851-1972, bulk 1851-1919
Duveneck, Frank, 1848-1919
Duveneck, Elizabeth Boott, Mrs.,, 1846-1888
Duveneck, Josephine W. (Josephine Whitney),
French, Daniel Chester
Wessel, Bessie Hoover
Place of publication, production, or execution:
1.2 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
The papers of painter and teacher Frank Duveneck and his wife, painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.
The limited amount of correspondence in this collection includes separate letters from Frank Duveneck and Elizabeth Duveneck, primarily to family members, which describe studies and travel abroad, works in progress, exhibitions, and after their marriage, reports on family life. Frank Duveneck's correspondence also includes a letter from sculptor William Couper concerning the marble for a memorial to Elizabeth Boott Duveneck. There is also a folder of letters to and from Mr. and Mrs. Francis B. Duvencek, the son and daughter-in-law of the artist couple, that include reminiscences about Frank Duveneck from former student Bessie Wessel and a letter to Francis Duveneck from Daniel Chester French requesting permission to make a bronze from the plaster cast of the Duveneck's effigy of Elizabeth at the Metropolitan Museum of Art.
Writings include Elizabeth Boott Duveneck's diary, a typescript of a speech attributed to Frank Duveneck, and research notes compiled by daughter-in-law Josephine Duveneck in preparation for her biography of her father-in-law.
Printed materials consist primarily of newspaper clippings and magazine articles on Frank Duveneck, but also include his Munich Royal Academy card and copy certificate from the Ministry of Florence, Italy. Newspaper clippings may also be found in the Scrapbook series, including Elizabeth Boott Duveneck's scrapbook of exhibition reviews of her paintings, and two folders of clippings pertaining to Frank Duveneck compiled by Josephine Duveneck. Frank Duveneck's scrapbook contains printed illustrations compiled by the artist while he was studying art in Munich.
Sketchbooks and sketches consist of four sketchbooks by Elizabeth Boott Duvenck and three by Frank Duveneck that document their growth as artists as they span several decades (particularly in the case of Elizabeth) of their respective careers. There are also two folders of loose, mostly early, portrait sketches by Elizabeth Boott Duveneck.
Vintage photographs depict Frank Duveneck alone, with family and friends, Elizabeth Boott Duveneck, Francis Boott with his daughter, John Twachtman, art classes including one of Wilhelm von Diez's classes in Munich, and a group photograph of the jury of the 1915 Panama-Pacific exposition. There is only one photograph that includes both Frank and Elizabeth Duveneck together along with her father Francis Boott and nurse Ann Shenston.
Frank and Elizabeth Boott Duveneck papers, 1851-1972, bulk 1851-1919. Archives of American Art, Smithsonian Institution.
The bulk of this collection has been digitized and is available online via AAA's website. Materials that generally have not been scanned include black and white transparencies and modern copy prints of vintage photographs as well as photographs of works of art. For some publications only the cover, title page and relevant pages have been scanned.
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Exhibition catalogs that were donated to the Archives of American Art with the Frank Duveneck and Elizabeth Boott Duveneck papers were transferred to the Smithsonian American Art Museum and National Gallery Library in 1976. Some of the catalogs were microfilmed and may be viewed on reel 1151.
Additionally, a group of eighty-four pencil sketches and caricatures of his students by Frank Duveneck and four black and white photographic reproductions of works of art were loaned to the Archives of American Art in 1974 by Mr. and Mrs. Francis B. Duveneck for microfilming. This material is available for viewing on reel 792. The material listed above is not described in the container listing of this finding aid.
In 1974, the Cincinnati Historical Society donated photocopies of original letters to and from Frank Duveneck and Elizabeth Boott Duveneck from their collection to the Archives of American Art for microfilming. This correspondence is available for viewing on reel 1097. Additionally, in 1985 Freda Schutze donated a portrait photograph of Frank Duveneck.
Frank Duveneck (1848-1919) was a painter and teacher in Munich, Germany and Cincinnati, Ohio. Born in Covington, Kentucky, he used the surname Decker until 1886. He began his career painting in midwestern Catholic churches. In 1870, Duveneck went to Munich, where he shared a studio with William Merritt Chase, studied with Wilhelm von Diez, and was influenced by the style of the Munich School. After travel to Venice and America, Duveneck opened his own school in Munich and in the Upper Bavarian village of Polling in 1878. His students, known as the "Duveneck Boys", included Otto Bacher, Julius Rolshoven, John Twachtman, and Herman Wessel. He married one of his students, Elizabeth Boott, in 1886. Following his wife's death in 1888, Duveneck returned to the United States to teach at the Cincinnati Art Academy.
Donated and lent by Mr. and Mrs. Francis B. Duveneck, the son and daughter-in-law of Frank and Elizabeth Duveneck.
The papers of Frank and Elizabeth Boott Duveneck in the Archives of American Art were digitized in 2009.The bulk of the papers have been scanned and total 1,180 images.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001