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Adam A. Sanders papers, 1914-1961

Sanders, Adam A., 1889-
Place of publication, production, or execution:
Physical Description:
0.4 linear ft. (partially microfilmed on 2 reels)
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Writings, photographs, sketches, printed material, and letters. REEL 98: Autobiographical sketch; exhibition catalogs; clippings about Sanders; pencil sketches, photographs of Sanders and his work; and three printed essays by Sanders, COSMOGONY, THE PRINCIPLE OF ALTOFORM, and THE THEORY OF ALTOFORM. REEL 284: Letters from Fred Hovey Allen, art commissioner of the Hotel Majestic in New York City arranging for a hotel sculpture studio for Sanders; letters from an early art patron, Harriet Bishop Lanier; copies of THE THEORY OF ALTOFORM and THE PRINCIPLES OF ALTOFORM; sketches; photographs; and clippings. UNMICROFILMED: Photographs of Sanders's works; sketches; pamphlets on the theory of altoform; clippings; and miscellaneous printed materials.
Adam A. Sanders papers, 1914-1961. Archives of American Art, Smithsonian Institution.
Additional Forms:
Microfilm reels 98 and 284 available for use at Archives of American Art offices and through interlibrary loan.
Biography Note:
Sculptor, writer; New York City. Sanders's theory of altoform explains the reason for elongation of the human figure in art, particularly American.
Donated 1971-1972 by Sanders.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Sculpture, Modern
Record number:
Art Theory and Historiography
Data Source:
Archives of American Art

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