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Lorrie Goulet papers, 1931-2009

view Lorrie Goulet papers, 1931-2009 digital asset number 1
Creator:
Goulet, Lorrie H., 1925-
Subject:
Gross, Chaim
Nalle, Anna Beck
Anuszkiewicz, Richard
Vogel, Dorothy
De Creeft, José
Vogel, Herbert
Vorhees, Aimee
Art Students League (New York, N.Y.)
Museum of Modern Art (New York, N.Y.)
New York Artists Equity Association
Kennedy Galleries
National Museum of Women in the Arts (U.S.)
New School for Social Research (New York, N.Y.)
David Findlay Galleries (New York, N.Y.)
Contemporaries (Gallery: New York, N.Y.)
Carolyn Hill Gallery
Inwood Pottery School
Scarsdale Studio Workshop
Place of publication, production, or execution:
United States
Physical Description:
10.0 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Summary:
The papers of New York City sculptor, painter, educator, and writer Lorrie Goulet (1925- ) measure 10.0 linear feet and date from 1931 to 2009. Goulet's career is documented through biographical materials, correspondence, writings and notes, interviews, exhibition files, project and commission files, teaching files, personal business records, printed materials, photographs, and artwork.
Biographical materials include awards, resumes, membership documents for the New York Artists Equity Association, and a scrapbook and photograph portfolio for Jose de Creeft's birthday in 1969. Scattered school records include a photocopy of a letter from Aimee Vorhees at the Inwood Pottery School.
Goulet's correspondence is mostly professional in nature but includes some letters from friends and family, including Jose de Creeft. Other notable correspondents include Chaim Gross, Herbert and Dorothy Vogel, and Richard Anuszkiewicz.
Writings and notes by Lorrie Goulet include artists' statements; notes and essays on sculpture, including a disbound binder entitled "Quadrations"; three journals about the creation of "Enigma;" a statement on "Green Serpentine;" lectures and talks, including a memorial tribute to Jose de Creeft; and poems. There are also a few writings by others about Goulet.
There are five transcripts of interviews with Lorrie Goulet and with Lorrie Goulet and Jose de Creeft. One of the interviews includes the original sound recordings on cassette tape and one includes a version of the transcript on floppy disc.
Extensive exhibition files document fifty years of Goulet's solo and group exhibitions held at galleries, museums, and institutions throughout the United States. Many of the files are from shows at Carolyn Hill Gallery, The Contemporaries, David Findlay Jr. Gallery, and Kennedy Galleries. Also found is extensive material on Goulet's exhibition at the National Museum of Women in the Arts, "Lorrie Goulet: Fifty Years of Making Sculpture" (1998). File contents vary, but often contain photographs of openings and of works of art, correspondence, printed material, and price lists.
Project and commission files document Goulet's public commissioned works in the New York Public Library, 173 St. Branch, the Nurse's Residence and School at the Bronx Municipal Hospital, the New York City 48th Precinct Station House and Fire House, and the bust of King Juan Carlos I of Spain. There are also files concerning Goulet's television show "Around the Corner," an educational children's show that aired from 1964-1968.
Teaching files are from Goulet's positions at the Art Students League, the school at the Museum of Modern Art, the New School for Social Research, and Scarsdale Studio Workshop. Personal business records include scattered bills and receipts for works of art by Goulet and Jose de Creeft and a file regarding Goulet's affiliation with art agent Anna Beck Nalle.
Among the printed materials are clippings, exhibition announcements and catalogs, and issues of magazines and periodicals, many of which include articles about Goulet or her exhibitions. Also found is a videocassette tape concerning Jose de Creeft's "Alice in Wonderland" narrated by Goulet.
Photographs and eleven photo albums depict Goulet, her family life with Jose de Creeft, celebrations with friends, her artwork and studio, and travel. Also found are photos, slides, and transparencies of works of art. Pencil sketches are by Goulet of her studio. There is also a sketch of Lorrie Goulet by Zorach.
Citation:
Lorrie Goulet papers, 1931-2009. Archives of American Art, Smithsonian Institution.
Additional Forms:
Portions of the collection are available on legacy 35 mm microfilm reels 428 and 438 at Archives of American Art offices, and through interlibrary loan. Researchers should note that the arrangement of the collection as outlined in this finding aid does not match the arrangement of the collection on microfilm.
Funding:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
Related Materials:
Also found in the Archives of American Art are the papers of Lorrie Goulet's husband, sculptor Jose de Creeft.
Biography Note:
Lorrie Goulet (1925- ) is a sculptor, painter, educator, and writer active in New York City, New York.
Provenance:
Lorrie Goulet lent a portion of her papers in 1972 for microfilming and later donated those papers along with additional materials to the Archives of American Art in 2010.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Diaries
Sculptors
Video recordings
Artists' studios
Sound recordings
Transcripts
Sketches
Art
Painters
Scrapbooks
Authors
Art teachers
Photographs
Interviews
Women sculptors
Sculpture, Modern
Record number:
(DSI-AAA_CollID)8983
(DSI-AAA_SIRISBib)211170
AAA_collcode_goullorr
Theme:
Women
WAAND
Lives of American Artists
Data Source:
Archives of American Art

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