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John Sennhauser papers, 1931-1990

Creator:
Sennhauser, John, 1907-1978
Subject:
Botto, Otto
Federation of Modern Painters and Sculptors
John Simon Guggenheim Memorial Foundation
Place of publication, production, or execution:
Other
Physical Description:
Reel N70-33: 335 items
Unmicrofilmed: 1.5 linear ft.
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Summary:
REEL N70-33: Correspondence with the Federation of Modern Painters and Sculptors, the Guggenheim Foundation (John Simon Guggenheim Memorial Foundation), letters, among them 2 concerning the death of Otto Botto; catalogs, photographs; and a scrapbook.
UNMICROFILMED: Biographical material; letters from galleries, museums, and others; sketchbooks and sketches; financial records; photographs of Sennhauser and photos, negatives and slides of works of art; an inventory of art works (3 x 5 card file); financial records; clippings, exhibition catalogs and announcements and other printed material.
Citation:
John Sennhauser papers, 1931-1990. Archives of American Art, Smithsonian Institution.
Additional Forms:
Microfilm reel N70-33 available at Archives of American Art offices and through interlibrary loan.
Location of Originals:
Reel N70-33: Originals returned to John Sennhauser after microfilming.
Biography Note:
Painter and designer; New York, N.Y. Born 1907 in Rorschah, Switzerland. Died 1978. Sennhauser was an abstract artist who began to explore non-objectivity as a mode of expression in the late 1930s. He joined the American Abstract Artists in 1945 and pursued that direction in his work until the late 1950s when he returned to representation. Trained at the Royal Academy in Venice, he immigrated to the United States from Switzerland in 1928 at age twenty-one. In New York he took up romantic urban street subjects, but while a student at the Cooper Union Art School his interests shifted to geometric forms. In 1943 he joined the staff of the Museum of Non-objective Painting as lecturer and preparator and his own inclinations towards abstraction were thereby reinforced.
Provenance:
Material on reel N70-33 was lent for microfilming 1970 by John Sennhauser. In 2002 an additonal 1.2 feet was donated by the John Sennhauser Trust.
Theme:
Sketches & Sketchbooks
American Art and Artists in a Global Context
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
Painters
Painters
Painting, Abstract
Photographs
Sketchbooks
Sketches
Record number:
(DSI-AAA_CollID)8549
(DSI-AAA_SIRISBib)210727
AAA_collcode_sennjohn
Data Source:
Archives of American Art

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