The collection is arranged as 8 series: Series 1: Biographical Material, 1954-1955 (Box 1; 3 folders) Series 2: Correspondence, 1916-1961 (Box 1; 43 folders) Series 3: Notes and Writings, 1924-1958 (Box 1; 27 folders) Series 4: Art Work, 1913-1925 (Box 1, 3; 12 folders) Series 5: Scrapbook, 1931-1935 (Box 1; 1 folder) Series 6: Printed Material, 1921-1973 (Box 1, 2, 3; 0.5 linear feet) Series 7: Photographs, 1920-1957 (Box 2; 25 folders) Series 8: Audio Recordings, 1955 (Box 3; 1 folder)
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
The papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913 to 1973, with the bulk of the materials dating from 1913-1961. Among the papers are autobiographical essays, correspondence with friends and family, including many letters from Marcel Duchamp, notes and writings by and about Crotti, printed materials, one scrapbook, drawings by Crotti and others, photographs of Crotti and his family and friends, photographs of artwork, and three audio recordings of interviews with Crotti.
Biographical material consists of autobiographical notes and an autobiographical manuscript Ma Vie.
Correspondence is with family members and colleagues. Correspondents include his brother Andre, wife Suzanne Duchamp, and other family members. There are eleven folders of correspondence between Suzanne's brother Marcel Duchamp and the Crotti family. A 1918 letter from Duchamp to Crotti is illustrated by Duchamp. Additional letters to Jean Crotti are from Jean Cocteau, Albert Gleizes, Georges Herbiet a.k.a. "Christian", Henri Matisse, Francis Picabia, and Jacques Villon. Three folders of letters from Georges Herbiet a.k.a. "Christian" include references to Francis Picabia and Germaine Everling and discussions of art criticism and Picabia's role in avant-garde art movements. Herbiet also describes a new painting procedure that he claims to have invented using a product that is impervious to acids, water, oil, or alcohol. There is a single letter from Jean Crotti to Pablo Picasso following their meeting in Cannes in which Crotti discusses a design with spheres and includes a sketch of his idea. There are also single letters to Crotti from Raoul Dufy, Walter Pach, and actor Pierre Renoir.
Notes and writings include poems, a script, and miscellaneous writings by Crotti concerning his art theories including "Tabu" and gemmail. Writings about Crotti are by miscellaneous authors including writers Waldemar George, Andre Salmon, and artists Armand Nakache, A. Ozenfant, and Michel Seuphor.
Art work includes seven folders of drawings and an etching plate by Crotti, 83 drawings by Paul Guillaume, and portrait drawings of Crotti by Henri Coudour and Francis Picabia.
A scrapbook contains clippings, a letter from Paul Guillaume and a letter to Elizabeth Crotti from a friend describing a 1932 Jean Crotti exhibition in the Balzac Galleries in New York City, and a typescript "Una Collezione a Parigi" by Gino Severini.
Additional printed material includes clippings, exhibition announcements and catalogs for Crotti and others, reproductions of art work, and books Jean Crotti (1930) and Jean Crotti et la Primaut du Spirituel (1959) by Waldemar George.
Photographs are of Crotti, his family, friends, colleagues, and art work by Crotti and by Suzanne Duchamp. Of particular interest are photographs of composer Edgard Varese and his wife Louise with Suzanne Duchamp, Jean Crotti, and art advocate Mary Reynolds in 1924, photographs of Crotti and Georges Braque examining a gemmail art work, and photographs of Crotti and Suzanne Duchamp talking with Pablo Picasso at Cannes and at the home of Bertrande Blancpain in 1957.
Audio recordings include two phonograph records of interviews with Jean Crotti, including topics "Assignment Switzerland" and "Assignment World." A third phonograph record contains an interview with Mr. and Mrs. Paul Blancpain as well as an additional interview with Crotti.
Jean Crotti papers, 1913-1973, bulk 1913-1961. Archives of American Art, Smithsonian Institution.
The papers have been scanned in their entirety and are available online via AAA's website. Materials not digitized include an etching plate by Crotti, photographs of artwork, and phonograph audio recordings of interviews with Crotti. Only the covers and title pages of most published books and exhibition catalogs were scanned.
Location of Originals:
Porfolio entitled "Tabu Dada," containing one drawing and one print after the drawing, were returned to the donor, Andre Buckles after microfilming.
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Two sketches and a print were also lent by Andre Buckles in 1981 for microfilming on reels 2394-2395 and returned. This material is not described in the container listing of the finding aid.
Jean Crotti (1878-1958) was a painter who lived and worked in both Paris, France and New York, N.Y.
Donors Alice Buckles Brown and Andre Buckles are great-niece and great-nephew of Jean Crotti.
This site provides access to the papers of Jean Crotti in the Archives of American Art that were digitized in 2010. The papers have been scanned in their entirety, and total 1,551 images.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001