Robert Smithson and Nancy Holt papers, 1905-1987, bulk 1952-1987
Smithson, Robert, 1938-1973
Holt, Nancy, 1938-
Lippard, Lucy R.
Place of publication, production, or execution:
14.9 linear feet
8 rolled docs
Library: 76.0 linear feet
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
The papers of sculptor, writer, and earthworks artist Robert Smithson and his wife, sculptor, filmmaker, and earthworks artist Nancy Holt measure 14.9 linear feet and date from 1905 to 1987, with the bulk of the material dating from 1952 to 1987. The papers consist of Smithson's biographical material; business and personal correspondence, much of it with artists; interview transcripts; extensive writings and project files; financial records; printed material; a scrapbook of clippings; holiday cards with original prints and sketches; photographic material; and artifacts. Also found are project files related to Nancy Holt's films "Pine Barrens" and "Suntunnels."
Biographical material includes Robert Smithson's curriculum vitae, personal identification, and medical documents, eight engagement/day planners Smithson and Holt maintained from 1966 to 1973, and Smithson's funeral register.
Correspondence is primarily with Smithson's family, friends, fellow artists, and business associates discussing personal relationships, proposed art projects, and exhibitions. Correspondents of note include Carl Andre, the Dwan Gallery (Virginia Dwan), Dan Graham, Will Insley, Ray Johnson, Gyorgy Kepes, Sol Lewitt, Lucy Lippard, and Dennis Wheeler. There is also substantial correspondence received by Holt upon Smithson's death in 1973, and between Holt and the Herbert F. Johnson Museum of Art regarding Smithson's retrospective exhibition in 1982.
There are nine interview transcripts with Smithson discussing his works and his general philosophy on art, and one transcript of the Andrew Dickson White Museum's Earth Art Symposium (1969) featuring the following artists: Mike Heizer, Dennis Oppenheim, Robert Smithson, Neil Jenney, Gunther Uecker, Jan Dibbets, Richard Long, and Hans Haacke.
Writings are substantial and include 73 drafts of published and unpublished essays by Smithson on art, artists, and works in progress. The series also includes poems by Smithson, six notebooks containing notes and sketches by Smithson, and drafts of writings sent to Smithson and Holt by friends and colleagues, including Carl Andre, Terry Atkinson, Dan Flavin, Dan Graham, and Jack Thibeau.
Project files contain correspondence, project instructions, diagrams and sketches, research materials, photographic material, and maps related to over 50 of Smithson's artworks. These include concepts, proposed projects, sculptures, non-sites, and earthwork projects, including Spiral Jetty, Broken Circle, and Spiral Hill.
Personal business records include gallery related loan arrangements and receipts for miscellaneous art supplies. Financial records include tax forms and preparation documents, including cancelled checks, receipts, statements, and related correspondence.
Printed materials include books, clippings, and periodicals related to Smithson, either containing writings or sketches by him, or containing articles reviewing his work. There are also exhibition announcements and catalogs of Smithson's group and solo shows from 1959 to 1985.
The scrapbook contains clippings of Smithson's published articles from 1966 to 1973 with annotated shorthand notes.
Artwork consists of Christmas cards collaged by Smithson, and sketches by Smithson and Leo Valledor.
Photographic materials include prints and negatives of Smithson with friends, promotional Hollywood movie stills, and original prints and copyprints of other artists' artwork.
Artifacts consist of a paper bag silkscreened with a Campbell's soup can (Warhol), promotional buttons (N.E. Thing Co.), various organic materials, and two art kits.
Nancy Holt's papers consist of correspondence, a grant application, printed materials, and project files and audio visual material related to her motion picture films "Pine Barrens," (1975) and "Suntunnels," (1975).
Robert Smithson and Nancy Holt papers, 1905-1987, bulk 1952-1987. Archives of American Art, Smithsonian Institution.
Portions only of this collection are available on 35 mm microfilm reels 3832-3837 at Archives of American Art offices, and through interlibrary loan. RESEARCHERS SHOULD NOTE: Microfilm does not include later additions to the papers nor does it reflect the current arrangement of the papers but is available for reference use only.
The motion picture films Pine Barrens (release print and a portion of outtakes) and Suntunnels (work print) were transferred to videocassette for research access in 2003 and are available at the Archives of American Art offices.
Funding for the preservation and transfer of motion picture film provided by the Smithsonian Women's Committee. Funding for the processing of this collection was provided by the Terra Foundation for American Art.
Motion picture films transferred to videocassette, non-archival library books, periodicals, and phonographs from Robert Smithson's personal library are currently stored offsite.
The Archives also holds several collections related to Robert Smithson and Nancy Holt, including an oral history interview with Robert Smithson conducted by Paul Cummings in 1972; an interview with Robert Smithson conducted by Tony Robbin in 1968; Robert Smithson letters to George B. Lester, 1960-1963; and oral history interviews with Nancy Holt conducted by Scott Gutterman in 1992 and Joyce Pomeroy Schwartz in 1993.
Robert Smithson (1938-1973) was a pioneer of land and earthworks art, working primarily in New York City. Nancy Holt (1938-2014), Smithson's wife, was a noted sculptor and filmmaker and also worked as an earthworks artist. Smithson was also a noted sculptor, painter, writer, and lecturer .
The papers of Robert Smithson and Nancy Holt were donated by Nancy Holt in several accretions between 1986 and 2011.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001