Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
The papers of art curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, "Mexican Art" (1930-1932), and "Indian Art of the United States" (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.
René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.
The collection is available on legacy 35 mm microfilm reels 3830-3831 at Archives of American Art offices, and through interlibrary loan. Researchers should note that the arrangement on microfilm may not match the arrangement described in this finding aid.
Location of Originals:
Reels 2919-2931: Originals in: Museum of Modern Art.
Funding for the processing of this collection was provided by the Terra Foundation for American Art.
Reels 2919-2931: Authorization to publish requires written permission from Museum of Modern Art, 11 West 53rd St., New York, N.Y. 10019. Museum of Modern Art requires full citation to include microfilm reel and frame numbers, and reference to MoMA as the owner of the RenÔe d'Harnoncourt papers.
The bulk of RenÔe d'Harnoncourt's papers are in the Museum Archives of the Museum of Modern Art. The Museum's 59.25 linear feet document, in particular, d'Harnoncourt's years with the Museum from 1944-1968. That collection also includes papers donated by Sarah d'Harnoncourt which relate to d'Harnoncourt's time in Mexico, from 1925-1932, and his work in the United States from 1933-1944. While these holdings may overlap occasionally with the papers in the Archives of American Art (some items at the Archives of American Art, for instance, may be photocopies of originals at the Museum), the bulk of the Archives' d'Harnoncourt papers appear to be distinct from those at the Museum.
Eleven linear feet of the Museum of Modern Art's d'Harnoncourt papers were lent to the Archives of American Art for microfilming in 1983. These included papers generated by d'Harnoncourt during his professional affiliation with the Museum, such as: personal files; three appointment notebooks; professional files including Latin American correspondence; exhibition files; files documenting outside affiliations; and departmental and special event files. The papers were returned to the Museum of Modern Art after microfilming. The microfilm is available on Archives' legacy microfilm reels 2919-2931, but is not described in the Container Listing of this finding aid.
An oral history of RenÔe d'Harnoncourt, interviewed by Isabel Grossner in 1968, can be found at Columbia University, Oral History Research Office, 801 Butler Library, 535 West 114 Street, New York, NY 10027.
Art curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), was an authority on Native American art and Mexican arts and crafts. Director of the Museum of Modern Art, 1949-1968. Born Vienna, Austria. D'Harnoncourt was co-author for "Indian Art of the United States" and "The Painted Pig" (1930).
The collection is in English and Spanish.
The collection was donated by d'Harnoncourt's widow, Sarah d'Harnoncourt, in 1975, 1981, and 1984.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001