Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 12.7 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs. These document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his own work as an artist, photographer, museum director, anthropologist, and writer. Nineteenth century material consists of a Japanese print, printed material, and photographs.
Robert Bruce Inverarity papers, circa 1840s-1997. Archives of American Art, Smithsonian Institution.
Microfilm reels 1121, 1130, NDA 16, & D/NDA/I available at Archives of American Art offices and through interlibrary loan.
Originals of most of the drawings and sketches loaned by Mr. Inverarity were returned to him after filming and were not subsequently donated. This material is available on 35 mm microfilm reel D/NDA/I, frames 392-409.
Robert Bruce Inverarity (1909-1999) was a painter, sculptor, illustrator, lithographer, etcher, lecturer, museum director, author, puppeteer, and state director of the Federal Art Project from Seattle, Washington and La Jolla, California. Studied at the University of Washington, Fremont University, and with Kazue Yamagishi and Mark Tobey. Exhibited in one-man shows and group exhibitions in the U.S. and Canada. Was director of the Museum of International Folk Art (1949-1954), the Adirondack Museum (1954-1965), and the Philadelphia Maritime Museum (1969-1976). He is the author/illustrator of "Blockprinting and Stencilling," and a "Manual of Puppetry."
Robert Bruce Inverarity donated his papers to the Archives in several installments between 1965 and 1993. Additional papers were received from his estate in 1999. He also loaned a small number of additional drawings and sketches for microfilming which were returned to him. A few of these drawings were included with the papers he subsequently donated to the Archives of American Art.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001