Printed material relating to Artist Group of the Emergency Work Bureau and the Goose Rocks Group, 1932-1934
United States.Emergency Work Bureau
Place of publication, production, or execution:
9 items (on partial microfilm reel).
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Printed material kept by Jackson, including: two broadsides of the Artist Group of the Emergency Work Bureau, one a formal resolution to seek federal aid, the other states terms for relief; a list of members in the Artist Group; and announcements of the opening exhibition of the Goose Rocks Group at the Watercolor Gallery in Maine.
Printed material relating to Artist Group of the Emergency Work Bureau and the Goose Rocks Group, 1932-1934. Archives of American Art, Smithsonian Institution.
Microfilm reel NDA 3 available at Archives of American Art offices and through interlibrary loan.
Location of Originals:
All material except two broadsides, frames 1165 & 1169: Originals returned to Morris Jackson after microfilming.
Jackson was a watercolorist, Detroit, Mich. The Artist Group of the Emergency Work Bureau, also known as the Unemployed Artists Group, was organized in September 1933 when New York state's Emergency Work Bureau phased out its art project. The impetus for its formation was the desire of ex-project workers for further state assistance for artists. Gained a reputation for radicalism. Philip Bard was the leader of the group.
Lent for microfilming by Jackson, with the exception of the two broadsides, which were donated. [The broadsides were re-microfilmed on reel 3482 under the title "Artist Group..."]
Government Sponsorship of the Arts
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001