Subject and correspondence files are arranged alphabetically.
Access Note / Rights:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Papers mainly relating to Hambidge's theory of Dynamic Symmetry, and to Mary Crovatt Hambidge and her efforts to found and support a weaving workshop based on her husband's work.
Included are: biographical documents; Crovatt family letters, 1841-1973, and photographs, ca. 1900-1920; clippings; correspondence, including letters from Jay to Mary, 1914-1923, and one or more letters from George Bellows, Lacey D. Caskey, Robert Henri, William Sargeant Kendall, the League of American Artists, Denman W. Ross, the Society for the Promotion of Hellenic Studies, and other scholars and artists; condolence letters, 1924; letters to Mary regarding Jay's theories, her weaving, Greek studies, and the Hambidge Center; subject and correspondence files, including files on George Biddle, Van Wyck Brooks, Harmon Caldwell, George Christy, Hall Clovis, Frank Coleman, Stanton Forbes, Emily Hamblem, Edith Hamilton, Vassos Kanellos, Eva Sikelianos, Ted Shawn, Violet Winterfield, and others; writings by Jay; typescripts of reviews of DYNAMIC SYMMETRY; typescripts of articles mentioning Dynamic Symmetry; sketches; and miscellany.
Jay and Mary Crovatt Hambidge papers, 1841-1973. Archives of American Art, Smithsonian Institution.
Microfilm rolls 3176-3181 Available at Archives of American Art offices and through interlibrary loan.
Location of Originals:
Originals in Hambidge Center, Rabun Gap, GA.
Authorization to publish, quote or reproduce must be obtained from: Executive director, The Hambidge Center, P.O. Box 339 Rabun Gap, GA 30568 or 105 Hambidge Court Rabun Gap, GA 30568 Rabun Gap, Georgia 30568; tel. 706-746-5718
Jay Hambidge: mathematician, illustrator; Mary Hambidge: weaver, administrator
Lent for microfilming 1983 by the Hambidge Center via executive director Mary Nikas and through a resolution from the Board of Trustees. A portion of the material lent was not microfilmed due to its fragile physical condition.
Art Theory and Historiography
Architecture & Design
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001