11.6 linear ft. (partially microfilmed on 2 reels)
Addition: 0.2 linear ft.
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Primarily research material used for Andersen's book American Sculpture in Process, 1930-1970. Included are sculpture files, containing photographs and printed materials; writings and research notes; and 663 letters and ca. 50 statements of purpose from prominent American sculptors, among them Calvin Albert, Oliver Andrews, Leonard Baskin, Wolfgang Behl, Charles Biederman, Helen Beling, Harry Bertoia, Roger Bolomey, Lothar Brabant, Alexander Calder, Cosmo Campoli, Chryssa, Lindsey Decker, Jose de Rivera, Stephen DeStaebler, Nancy P. Dryfoos, Ted Egri, Herbert Ferber, Richard Filipowski, Francis Foster, Leon Golub, Florence Grippe, Peter Grippe, Dimitri Hadzi, Martha Hadzi, Tom Hardy, Wally Hendrick, Paul Keith, Robert Laurent, Pietro Lazzari, Israel Levitan, Jacques Lipchitz, Seymour Lipton, Jim Melchert, Joseph Messina, Henry Moore, G. W. Owen, Tony Padovano, Nathan Raisen, Richard Randell, George W. Rickey, Hugo Robus, John Rood, Bernard Rosenthal, Theodore Roszak, David Smith, George Spaventa, Takis, Michael Todd, Hugh Townley, Charles Umlauf, Vasa, David von Schlegell, Jane Wasey, and Elbert Weinberg. Also included are business correspondence and financial papers relating to Andersen's consulting work for the Boston Redevelopment Authority, E.A.T. (Experiments in Art and Technology), and the Federal Reserve Bank. A smaller set of papers consists of material relating to Andersen's longtime friend and mentor, art educator, philosopher, and artist Henry Schaefer-Simmern, including a questionnaire sent to Andersen from Raymond Berta along with his dissertation abstract on Schaefer-Simmern, 1988; correspondence, including letters from Schaefer-Simmern, 1952-1989; photos of art work admired by Schaefer-Simmern. Also included are clippings, and a keynote speech by Andersen, 1994, "A Global Revision of Historical Time."
Wayne Andersen papers, 1952-1994. Archives of American Art, Smithsonian Institution.
663 letters and statements of purpose: microfilm reels: 1755-1756 available at Archives of American Art offices and through interlibrary loan.
Art historian, educator; Massachusetts. Born 1928.
Donated by Wayne Andersen, 1979 and 1994.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001