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“Sitting at the Loom Is a Prayer”: Kevin Aspaas Weaves Diné History and Culture

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 09 Aug 2023 06:17:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_6adee373ca2f650ebfb4bf31c1e83537

Kapa Pounding with Micah Kamohoali‘i: Preserving the Art of Hawaiian Bark Cloth

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 25 Jul 2023 14:22:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_9b0042741fbf97c3ee721a00c26b00a8

Unapologetically Maya: Ubaldo Sánchez’s Ephemeral Alfombras

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 11 Aug 2023 19:24:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_a0656c2bd5129c1cf2ad97ee4c062f21

An Unbroken Line: Josh Berer and Mariam Lodin Share the Art of Islamic Calligraphy

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 20 Sep 2023 18:36:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_4f16595b9654463807f308fe1135299c

From Kurdistan to Washington, Jalal Kimia Connects Communities with the Daf Drum

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Thu, 07 Sep 2023 17:36:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_7d0c787b7e4c9f5f510e878d21c4e608

“Each Quilt Can Tell You a Story”: An Interview with Sylvia G. Stephens

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Interviews
Blog posts
Published Date:
Wed, 27 Sep 2023 01:49:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_c7582b3758332ecfbc577330b16ccc16

George Miller Dyott Papers

Creator:
Dyott, George Miller  Search this
Extent:
1.17 Cubic feet (1 document case, 1 slim document case, 1 flat box, 1 glass plate box, and 1 map folder)
Type:
Collection descriptions
Archival materials
Manuscripts
Photographs
Correspondence
Diaries
Date:
Circa 1910-1946
Summary:
George Miller Dyott (1883--1972) was an early aviator; veteran of the Royal Naval Air Service; aircraft designer; and explorer. This collection contains approximately 1 cubic foot of material pertaining to Dyott's aviation career including correspondence; photographs; financial records; technical drawings; military records; news clippings; a World War I field diary; calling cards; and an annotated manuscript entitled, "Flying," written by Dyott.
Scope and Contents:
This collection contains approximately 1 cubic foot of material pertaining to George Miller Dyott's aviation career including correspondence; photographs; financial records; technical drawings; military records; news clippings; a World War I field diary; calling cards; and an annotated manuscript entitled, "Flying," written by Dyott. Photographic formats include black and white prints of various sizes (some of which are mounted on cardstock or matted) and 5 by 7 inch glass plates. Many of the photographs, including one entire album, are devoted to Dyott's service with the Royal Naval Air Service (RNAS) during World War I. Aircraft pictured in the photographs include the Dyott Monoplane; Dyott Bomber; Walden IV 1910 Monoplane (identfied here as the Walden-Dyott Monoplane); an unidentfied model of Deperdussin; Nieuport 17; Vickers (UK) E.F.B.5 Gunbus; a Sopwith Baby fitted with Le Prieur Rockets; Royal Aircraft Factory B.E.2; Handley Page O/400; Morane-Saulnier Type L (Mo.S.3); Blériot XI; Farman (Henry) H.F.20 (Type Militaire Biplane); and a later photo of a Bellanca Pacemaker CH-300. There are also photographs of a Royal Navy non-rigid airship and the wreck of the Zeppelin LZ 76 (Navy L 33), as well as early equipment such as searchlights; anti-aircraft guns; an anti-aircraft armored vehicle; and various types of bombs. In addition to Dyott, other well-known people in the photographs include Henry W. Walden; Patrick Hamilton; Francisco Madero (33rd President of Mexico); Arthur W. Bigsworth; and Reginald A. J. Warneford. The collection also contains one photograph of Harriet Quimby. There are also four technical drawings dating to 1914 in the collection ranging in size from approximately 24.25 by 15.5 inches up to 41 x 14 inches. Three of the drawings are on coated cloth and one is on waxed paper. Two are for a small promotional aircraft made from an ale bottle and powered by an 80-hp Gnome engine, one is marked "Worthington Ales" and the other is marked "Little Peter." The third drawing is a three-view of a "Hydro-Aeroplane for Tropical Rivers" powered by two 100-hp Mercedes engines, and the fourth is a side drawing of an unspecified type of biplane (undated). In addition to the drawings, there is a graph on waxed paper (14.5 by 13.25 inches) tracking altitude, time, and speed for an unknown aircraft (undated). The collection also includes records relating to the design and production of the Dyott Monoplane and Dyott Bomber.
Arrangement:
Some of the material in this collection arrived grouped together in folders or envelopes. This material was housed accordingly and original folder titles were kept where applicable. The rest of the collection is organized by type of material. Folder titles created by archivist, or additional information added to original folder titles by archivist, are in brackets. Within folders, material is arranged chronologically.
Biographical / Historical:
George Miller Dyott (1883--1972) was an early aviator; veteran of the Royal Naval Air Service; aircraft designer; and explorer. Dyott was born in New York in 1883 to an American mother and a British father. Dyott was educated in the United Kingdom before returning to the United States where he learned to fly at Curtiss Field in New York. Dyott was awarded Royal Aero Club aviator's certificate 114 in August of 1911. Around this time, Dyott partnered with Henry W. Walden designing monoplanes. In the autumn of 1911, Dyott and Patrick Hamilton began making a tour of exhibition flights with two Deperdussin monoplanes (one single and one double seater) which started in New York and included stops in the Bahamas and Mexico, where they carried then-President Francisco Madero as a passenger. Dyott then returned to the United Kingdom where he designed the Dyott Monoplane, manufactured by Hewlett & Blondeau, which he brought to the United States to fly a six month demonstration tour beginning in April 1913. Dyott entered military service in 1914 and served as a squadron commander for the Royal Naval Air Service during World War I. Around this time, Dyott designed a large twin-engine biplane for use in exploring. The Royal Naval Air Service saw a potential in this design for military use so Dyott made some modifications and two prototypes were ordered from Hewlett & Blondeau in 1916. The two Dyott Bomber prototypes were built and flight tested with various engines and armament, with the second being service tested in France, but the model never entered production. After World War I, Dyott became an explorer and joined the Royal Geographical Society. In 1927, Dyott was hired to lead an expedition retracing the steps of the Roosevelt–Rondon Scientific Expedition which confirmed Theodore Roosevelt's claims about the group's discovery and exploration of the Rio Roosevelt ("River of Doubt"). In 1928, Dyott led an expedition into Brazil searching for missing explorer Percy Fawcett. Dyott also founded Dyott & Company, Ltd. in Lima, Peru taking aerial photographs and other scenic views that were sold as post cards. Dyott wrote several books about his adventures (one of which was adapted into a feature film, Manhunt in the Jungle, in 1958), and also starred as himself in two documentary films (Hunting Tigers in India in 1929 and Savage Gold, which he also co-wrote, in 1933). In the mid-1930s, Dyott retired to Ecuador where he lived largely in isolation. He conducted two expeditions searching for Inca treasure in the late 1940s before returning to Ecuador where he stayed until returning to New York to reunite with his wife and children shortly before his death.
Provenance:
Michael Dyott, Gift, 2016, NASM.2016.0019.
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics  Search this
World War, 1914-1918 -- Aerial operations  Search this
Dyott Bomber (1916)  Search this
Dyott Monoplane (1913)  Search this
Aircraft  Search this
Walden IV 1910 Monoplane  Search this
Genre/Form:
Manuscripts
Photographs
Correspondence
Diaries -- 20th century
Citation:
George Miller Dyott Papers, NASM.2016.0019, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2016.0019
See more items in:
George Miller Dyott Papers
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg25a904b57-d4c2-42cf-9c30-5d0a6b3640e7
EDAN-URL:
ead_collection:sova-nasm-2016-0019
Online Media:

Reports to Board [and Correspondence, The "Nieuport" and General Aircraft Co., Ltd.]

Collection Creator:
Dyott, George Miller  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1917
Scope and Contents:
Note on original file read, "Dyott resigns Niewport [sic] and General Aircraft Co. Ltd. Around June 1, 1917 and goes to France."
Arrangement:
Material in this folder was already arranged in reverse chronological order, so that arrangement was kept.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
George Miller Dyott Papers, NASM.2016.0019, National Air and Space Museum, Smithsonian Institution.
See more items in:
George Miller Dyott Papers
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg23eea2da0-2ffa-474b-8963-119ec198db36
EDAN-URL:
ead_component:sova-nasm-2016-0019-ref8

Boating Across Traditions: Marshallese Canoes and Fishing Gigs in the Ozarks

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 04 Oct 2023 00:02:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_24bc130215ecd243986c26da7987c270

A Look into the World Premiere of Faith in Blackness: An Exploration of Afro-Latine Spirituality

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Mon, 02 Oct 2023 17:31:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_e020973bef045e883af9e77518a56cf9

Lunar Roving Vehicle, Mobility Test Article, Bendix Model

Manufacturer:
Bendix Corp.  Search this
Materials:
Aluminum and aluminum alloy
Dimensions:
Approximate: 264 in. long x 180 in. wide (670.56 x 457.2cm)
Type:
SPACECRAFT-Crewed-Test Vehicles
Country of Origin:
United States of America
Credit Line:
Transferred from the National Aeronautics and Space Administration
Inventory Number:
A19750651000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv919aac4e7-fc6d-4f48-b2e4-d3f752ade752
EDAN-URL:
edanmdm:nasm_A19750651000

Cap, Pilot, US Airways Inc.

Manufacturer:
Superior Uniform Cap Co.  Search this
Materials:
Overall: Wool
Visor: Felt
Insignia: Silver
Sweat Band: Leather
Lining: Plastic
Dimensions:
Clothing: 26 × 29 × 13.5cm (10 1/4 in. × 11 7/16 in. × 5 5/16 in.)
Clothing Size: 7 5/8
Type:
PERSONAL EQUIPMENT-Helmets & Headwear
Country of Origin:
United States of America
Credit Line:
Donated by James L. Webster
Inventory Number:
A20010040000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv957e1777a-ed1e-444e-958d-d10355c1adca
EDAN-URL:
edanmdm:nasm_A20010040000
Online Media:

Shirt, Pilot, US Airways Inc.

Manufacturer:
Van Heusen Co.  Search this
Materials:
Synthetic/Organic Fiber Fabric Blend (65% Polyester, 35% Cotton)
Uncharacterized Thread
Synthetic Fiber Fabrics
Plastic
Ink
Dimensions:
Clothing (On Mannequin): 85 × 50 × 20cm (2 ft. 9 7/16 in. × 1 ft. 7 11/16 in. × 7 7/8 in.)
3-D (Stored with Light Padding): 86.4 × 101.6 × 6.3cm (2 ft. 10 in. × 3 ft. 4 in. × 2 1/2 in.)
Type:
PERSONAL EQUIPMENT-Uniforms: Civil
Country of Origin:
United States of America
Credit Line:
Donated by James L. Webster
Inventory Number:
A20010043000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9aeeabb6c-2f4d-4c97-a779-d9233e7f9c36
EDAN-URL:
edanmdm:nasm_A20010043000
Online Media:

Sweater Vest, Pilot, US Airways Inc.

Manufacturer:
Winona Knitting Mills  Search this
Materials:
Piltrol
Wool
Dimensions:
Clothing (On Mannequin): 67.5 × 52 × 20cm (2 ft. 2 9/16 in. × 1 ft. 8 1/2 in. × 7 7/8 in.)
Clothing (Flat Storage): 66.7 × 57.1cm (2 ft. 2 1/4 in. × 1 ft. 10 1/2 in.)
Type:
PERSONAL EQUIPMENT-Uniforms: Civil
Country of Origin:
United States of America
Credit Line:
Donated by James L. Webster
Inventory Number:
A20010044000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv910153c9d-85c8-4ac8-914a-3467001cf6f6
EDAN-URL:
edanmdm:nasm_A20010044000
Online Media:

Necktie, US Airways Inc.

Manufacturer:
Lion Uniform Co.  Search this
Materials:
Synthetic Fiber Fabric (100% Polyester)
Ferrous Alloy
Ink
Dimensions:
Clothing: 59.5 × 9 × 1.5cm (23 7/16 × 3 9/16 × 9/16 in.)
Type:
PERSONAL EQUIPMENT-Accessories
Country of Origin:
United States of America
Credit Line:
Donated by James L. Webster
Inventory Number:
A20010045000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv96d3b57fd-8833-4ae8-8b16-b50f96f53e9a
EDAN-URL:
edanmdm:nasm_A20010045000
Online Media:

Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records

Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Extent:
21.6 Cubic feet (consisting of 17 cartons, 2 oversized boxes.)
Type:
Collection descriptions
Archival materials
Transcripts
Color slides
Exhibition records
Exhibit scripts
Contact sheets
Photographic prints
Correspondence
Place:
Washington Metropolitan Area
Date:
1942-1998
Summary:
These records document the planning, organizing, execution, and promotion of an exhibition exploring the immigration of people of African descent from Central and South America and the Caribbean to the Washington Metropolitan Area. The show was organized and hosted by the Anacostia Museum from August 21, 1994 through August 7, 1995. Materials include correspondence, research files, exhibit script, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
Scope and Contents:
The records of the Black Mosaic exhibition presented by the Anacostia Community Museum measure 21.6 cubic feet and date from 1942 to 1998, with the bulk of material dating from 1990 to 1995. The records include administrative records, publications, research files, floor plans, exhibit text drafts, oral history transcripts, and project files for programs coordinated for or tangentially with the Black Mosaic Exhibit.

Administrative records include advisory board member lists, meeting minutes, agendas, grant proposals, project reports and assessments, correspondence, training material for museum volunteers and docents, and assorted notes. Publications within the series directly relate to the Black Mosaic Exhibit and the Anacostia Community Museum. Correspondence includes both internal correspondence and those with local community members.

Writings and notes were previously scattered throughout the collection have been collocated within the Administrative Records series, and a majority are undated. The notes cover topics ranging from administrative activities to exhibit and research planning. Included are printed documents, scrap paper, and spiral-bound notebooks.

The research files contain background information about numerous immigrant communities within Washington D.C. The community research files were originally organized by country, continent, or region of origin, and then later by subjects that coordinated with the exhibit's designated themes. This organization method has largely been maintained. Research files include scholarly articles, news clippings, event programs, compiled bibliographies, and material related to the study of museology.

The exhibit files include floor plan layouts, photocopies of images, interview transcripts, exhibit literature, and extensive exhibit text drafts. Drafts of the exhibit's text include notes throughout multiple editing stages. Additionally, copies of flip books for different thematic sections of the Black Mosaic exhibit are included and are organized alphabetically by title. Other exhibit literature present is primarily in English with one French copy present.

The project files include training material for collecting oral histories and documenting community folklife, conference records, event records, and records pertaining to related projects at the Anacostia Community Museum. Concurrent projects supporting the exhibit include the Black Mosaic community newsletter and an educational curriculum project. Additional project records that thematically overlap with the Black Mosaic exhibit but extend beyond the timeframe of the formal exhibit are present also.
Arrangement:
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D.C. exhibition records are arranged in four series:

Series 1: Administrative Records

Series 2: Research Files

Series 3: Exhibit Files

Series 4: Project Files
Historical Note:
The exhibit Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D.C. was curated by the Anacostia Community Museum's supervisory curator Portia James, and was open at the Anacostia Community Museum from August 1994 to August 1995. The exhibition explored the immigration of people of African descent from South America, Central America, and the Caribbean to the Washington Metropolitan Area.

Topics addressed in the exhibition include migration, situations faced by Black immigrants, the maintenance of relationships with places of origin, community events and cultural performances, public and private expressions of culture, commodification of culture for economic support, and the expression of multiple identities. Some intentions of the exhibit were to provide forums for discussing culture and identity, provide resources for people learning about communities in the Washington Metro area, and to be a model to other museums and cultural institutions for understanding and interpreting similar immigration and settlement patterns.

The exhibit was designed to be experienced with broader cultural concepts being introduced towards the external part of the exhibit, while personal stories could be experienced further in. Over 100 oral history interviews featured prominently in the exhibit where interviewed individuals explained their immigration experience and how they've adapted to life in the area. The exhibit also included mounted photographs, artifacts, music, and conversations. Artifacts included passport photos, tickets, family photographs, and letters. The exhibit's text displayed in three languages: English, Spanish, and Haitian Creole. There were additional exhibition guides provided in Brazilian Portuguese, French, and the Ghanaian languages of Ga, Twi, Akan, and Ewe.

Coupled with the exhibit, the museum coordinated an extensive series of programs to engage various communities in the exploration of issues and traditions. These programs included creating newsletters and a photograph exhibit to keep the community up to date about the progression of the exhibit, working with performance groups, creating multi-institutional partnerships in order to develop more effective methods of collecting oral histories, and collaborating and modeling for the CFPCS African Immigrant Communities project.
Provenance:
Records of Black Mosaic: Community, Race, and Ethnicity Among Black Immigrants in Washington, D.C. Exhibition were created by the Anacostia Community Museum.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Immigrants -- United States -- Exhibitions  Search this
Museum exhibits  Search this
Genre/Form:
Transcripts
Color slides
Exhibition records -- 1990-2004
Exhibit scripts
Contact sheets
Photographic prints
Correspondence
Citation:
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-027
See more items in:
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa769b48dcf-5b93-4db2-b89e-3e4819fb8f55
EDAN-URL:
ead_collection:sova-acma-03-027
Online Media:

Aiken -- Balcony, The

Photographer:
Wieenmann, Charlotte C.  Search this
Landscape architect:
Shipman, Ellen Biddle, 1869-1950  Search this
Architect:
Peabody, Julian  Search this
Provenance:
The Garden Club of Aiken (Aiken, South Carolina )  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Gates
Digital images
Place:
United States of America -- South Carolina -- Aiken County -- Aiken
The Balcony (Aiken, South Carolina)
Scope and Contents:
17 digital images and 1 digital file which includes a planting list and copy of Shipman's planting plan.
General:
The original 1930's garden design by landscape architect Ellen Biddle Shipman (1869-1950) still can be discerned in the mature trees and sculpted hedges of the 5.82-acre estate. The property was intended as a winter sporting retreat for the original owner so, given the economic uncertainty of the time, an ornate display of summer blooming plants was deemed unnecessary. The brick Georgian revival house built in 1930 and the landscaped grounds reflected the Country Place era – an emulation of an English country estate that would have existed for generations. The entire property is enclosed by a stucco high wall with an iron front gate and a wooden door inserted in wall in the 1950's for access to a private supper club on the adjacent property.

The level property has expansive lawns punctuated or bordered with camellias, hollies, tea olives, native magnolias and loblolly pine. Shipman defined and enclosed spaces but in a more naturalistic way on this property. Osmanthus fragrans x fortune (tea olive) border the lawn along the drive. A shaped boxwood hedge defines the walkway to the front door. Some of the varieties that were popular when the estate was planted are no longer available commercially, and a Carolina cherry laurel allée was replaced with azaleas as the original plant is invasive. Azalea drifts that flower in early spring replace the original design of viola, vinca, and spring bulbs. Crepe myrtles, nandina and magnolia grown at the entrance to the property. Behind the house there is a simple rectangular pool, a later addition but in Shipman's style. There are a dressage ring, stables, and grooms' cottages along with three paddocks on this polo player's property.
Persons associated with garden's design include: Julian Peabody (architect, 1929-1931) and Ellen Shipman (landscape architect (1930-1931).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- South Carolina -- Aiken  Search this
Allées  Search this
Hedges  Search this
Lawns  Search this
Stables  Search this
Terraces  Search this
Swimming pools  Search this
Genre/Form:
Gates
Digital images
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File SC154
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / South Carolina
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6cd1cd33a-d89c-4e43-87b1-da2720a839be
EDAN-URL:
ead_component:sova-aag-gca-ref33359

The Garden Club of America collection

Creator:
Garden Club of America  Search this
Names:
New York Flower Show  Search this
Extent:
37000 Slides (photographs) (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Type:
Collection descriptions
Archival materials
Slides (photographs)
Lantern slides
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Date:
circa 1920-present
Summary:
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Biographical/Historical note:
The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- France  Search this
Gardens -- Italy  Search this
Gardens -- Japan  Search this
Gardens -- Mexico  Search this
Flower shows  Search this
Gardening -- United States -- societies, etc  Search this
Gardens -- England  Search this
Landscape architecture  Search this
Gardens -- United States  Search this
Gardens -- Spain  Search this
Gardens -- Scotland  Search this
Genre/Form:
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Lantern slides
Slides (photographs)
Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47
EDAN-URL:
ead_collection:sova-aag-gca
Online Media:

Uganda photographs

Extent:
91 Photographic prints ((1 box), black & white, 11 x 15 cm. or smaller)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Photographic prints
Black-and-white photographs
Place:
Uganda
Africa
Date:
circa 1895 - 1925
Scope and Contents:
Front cover of the album is inscribed "Amy J. Welsh, June 19--, Igauga [Iganga], Busoga." Photographs from the Kingdoms of the Interlacustrine area in East Africa. Contains portraits of King Daudi, Four Kings and their Prime Ministers, Sir Apolo Kagwa, Chief Bongo, Reverand B. Musoke, and a Busoga Chief. Images also show relics in a Tutsi tomb, missionary hospital and schools, marketplaces, weddings and other daily life. Additional group and family photographs of Christian missionaries in the region.
Arrangement note:
Images indexed by page number.
Biographical / Historical:
Album was compiled by Christian missionary Amy J. Welsh while working in Iganga, Uganda between 1906 and 1925.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portrait photography -- Africa  Search this
Genre/Form:
Photographic prints
Black-and-white photographs
Identifier:
EEPA.2000-005
See more items in:
Uganda photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7dff88595-8a70-46a9-b2d6-8eedbd49f912
EDAN-URL:
ead_collection:sova-eepa-2000-005

Kabaka Muteesi I's tomb in Kasubi, Kampala

Extent:
1 Photographic print (B/W)
Type:
Archival materials
Photographic prints
Place:
Uganda
Date:
ca. 1920s
General:
Original caption reads "Mutesa's Tomb," in Kasubi. King Daudi Chwa II sits behind the spears. Also appears as a postcard published by Alfred Lobo, Uganda - Series #3, ca. 1920s. "Mutesa's Tomb (interior). Kampala, Uganda."
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Kampala (Uganda)  Search this
Tombs  Search this
Identifier:
EEPA.2000-005, Item EEPA.2000-005-0028
See more items in:
Uganda photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo737ce98c8-c7f8-4e81-b12f-0468a78ce2f8
EDAN-URL:
ead_component:sova-eepa-2000-005-ref534

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