Adler, Kathleen, Erica E. Hirshler and H. Barbara Weinberg, "Americans in Paris, 1860-1900," London : National Gallery, 2006, no. 16.
Fink, Lois Marie, "American Art at the Nineteenth-Century Paris Salons," Washington, DC: National Museum of American Art, Smithsonian Institution, 1990, pg. 267.
American Heritage, Vol. Xii, No. 6, 1961.
"Alfred H. Maurer: Aestheticism to Modernism," New York, NY: Hollis Taggart Galleries, 1999, pg. 16.
Image on file.
Adler, Kathleen, Erica E. Hirshler and H. Barbara Weinberg, "Americans in Paris, 1860-1900," London : National Gallery, 2006, no. 16.
Fink, Lois Marie, "American Art at the Nineteenth-Century Paris Salons," Washington, DC: National Museum of American Art, Smithsonian Institution, 1990, pl. 45.
Sweet, Frederick A., "Sargent, Whistler, and Mary Cassatt,"Chicago: Art Institute of Chicago, 1954., p. 91.
Antiques (June 1995): pg. 869.
"Alfred H. Maurer: Aestheticism to Modernism," New York, NY: Hollis Taggart Galleries, 1999, pg. 16.
Paris Salon of 1883, Paris, 1883.
The information provided about this artwork was compiled as part of the Smithsonian American Art Museum's Inventories of American Painting and Sculpture database, designed to provide descriptive and location information on artworks by American artists in public and private collections worldwide.
Summary:
Full-length portrait of the artist's mother seated in profile. She wears a black dress with white lace cuffs, collar, and hat. A picture hangs on the wall at center.