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Catalog Data

Medium:
Ink and colors on primed mud-wall construction
Dimensions:
H x W: 175.6 x 85.5 cm (69 1/8 x 33 11/16 in)
Weight: 127005.7 grams (4480 oz)
Type:
Painting
Origin:
China
Date:
10th century, circa 952
Period:
Song dynasty
Provenance:
Possibly originally located in the Kuan-Yin Temple of Yu Vouen-sang, Henan province, China [1]
From 1923 to at least 1949
C. T. Loo & Company, Paris and New York, 1923 [2]
From at least 1972 to 1987
Dr. Arthur M. Sackler (1913-1987), New York, from at least 1972 [3]
From 1987
Arthur M. Sackler Gallery, gift of Arthur M. Sackler, on September 11, 1987 [4]
Notes:
[1] A related painting in the Honolulu Academy of Arts’ collection (acc. no. 2692) supposedly came from the Kuan-Yin Temple of Yu Vouen-sang, Henan province. This information is based on notes on the original registrar card.
In an article published in 1928, Osvald Sirén stated that the provenance of these wall paintings was said to be Yu Vouen-sang but he noted that “this information may or may not be correct,” see Osvald Sirén, “The Chinese Pavilion of C. T. Loo & Co. and Its Fresco Paintings,” Pantheon (November 1928), pp. 548-549.
[2] In his introduction to Chinese Frescoes of Northern Sung, exh. cat. (New York: C. T. Loo, Inc., 1949), C. T. Loo described the circumstances of acquisition of the exhibited wall paintings, including Bodhisattva and Dark-skinned Figure (exhibited under cat. 14).
According to this account, during his visit to China in 1923 Loo received information from his supplier about wall-paintings’ fragments in a ruined temple somewhere near the Henan-Shanxi border.
After negotiations with local authorities, the wall paintings were removed from the debris and Loo transferred them to Paris. See Laurence Sickman, “An Early Chinese Wall-Painting Newly Discovered,” Artibus Asiae vol. 15, no. 1/2 (1952), pp. 137-144.
By 1928 the paintings were installed in Loo’s gallery in Paris, see Osvald Sirén, “The Chinese Pavilion of C. T. Loo & Co. and Its Fresco Paintings,” Pantheon (November 1928), pp. 544-552.
According to Sickman, they were brought to New York in 1948.
[3] The painting was accessioned to Arthur M. Sackler’s collection in 1972.
[4] Pursuant to the agreement between Dr. Arthur M. Sackler and the Smithsonian Institution, dated July 28, 1982, legal title of the donated objects was transferred to the Arthur M. Sackler Gallery on September 11, 1987.
Collection:
Arthur M. Sackler Collection
Exhibition History:
Encountering the Buddha: Art and Practice Across Asia (October 14, 2017 to February 6, 2022)
Previous custodian or owner:
C.T. Loo & Company (1914-1948)
Dr. Arthur M. Sackler (1913-1987)
Topic:
Buddhism  Search this
bodhisattva  Search this
Song dynasty (960 - 1279)  Search this
China  Search this
halo  Search this
Chinese Art  Search this
Credit Line:
Gift of Arthur M. Sackler
Accession Number:
S1987.224
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye37690a239-0c56-4405-938c-ca4fa90c0186
EDAN-URL:
edanmdm:fsg_S1987.224