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Dreisbach, Fritz, 1941-  Search this
Frantz, Susanne  Search this
Voulkos, Peter  Search this
Lipofsky, Marvin  Search this
Littleton, Harvey K.  Search this
Leafgreen, Harvey  Search this
Chihuly, Dale  Search this
Noffke, Gary L.  Search this
Giberson, Dudley  Search this
Bernstein, William  Search this
Tamura, Ruth  Search this
McGlauchlin, Tom  Search this
Brown, Bill  Search this
Halem, Henry  Search this
Bailey, Clayton  Search this
Eisch, Erwin  Search this
Dailey, Dan Owen  Search this
Boysen, Bill  Search this
Labino, Dominick  Search this
Myers, Joel Philip  Search this
Toledo Museum of Art  Search this
Pilchuck Glass School  Search this
Alfred University  Search this
Glass Art Society  Search this
University of Iowa  Search this
University of Wisconsin--Madison  Search this
Penland School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Hiram College  Search this
Sound recordings
Place of publication, production, or execution:
Physical Description:
Trancript: 121 pages
Sound recording: 21 sound files (8 hr., 41 min.) digital, wav
General Note:
Originally recorded on 8 sound discs. Reformatted in 2010 as 21 digital wav files. Duration is 8 hr., 41 min.
An interview of Fritz Dreisbach conducted 2004 April 21-22, by Susanne Frantz, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Tucson, Arizona.
Dreisbach speaks of growing up in Ohio, in a family of educators and deciding at an early age to become a teacher; taking high school art; pursuing a BA in art and mathematics at Hiram College; getting his MAT and teaching high school math; attending the University of Iowa to study painting; the impact of taking a summer class in glassblowing; visiting Dominick Labino at his studio; researching colored glass and glass chemistry; becoming Harvey K. Littleton's teaching assistant at the University of Wisconsin, Madison; building a hot shop and teaching at the Toledo Museum of Art; teaching at Penland School of Crafts; creating the Glass Art Society with Mark Peiser after attending a NCECA conference; moving to Seattle to make glass colors for The Glass Eye; and working for Spectrum Glass Company. Dreisbach also speaks of the importance of community among glass artists; taking part in glass symposia in Frauenau, Germany; traveling around the country to teach workshops, known as his "Road Show"; making representational pop-style pieces as well as historical reference pieces; collaborating on a stained glass window with Gary Noffke; developing techniques for making goblets; working with Dante Marioni on a series of goblets; his commissioned pieces, including the Corning Pokal; engraving glass; his Mongo series; selling works through galleries; the influence of the Italian glass artists; teaching at Pilchuck Glass School; Dominick Labino's career and innovations in glass technology; being invited to give the Samuel R. Scholes lecture at the New York State College of Ceramics at Alfred University; serving twice as Glass Art Society president; inaccuracies in the history of American studio glass; taking part in GAS conferences at Fenton Glass Factory; the importance of the rise of the university-trained glass artist in the 1960s; going to Pilchuck for the first time; meeting international glass artists; attending symposia at Novy Bor, Czech Republic; and his plans for the future. Dreisbach also recalls Tom McGlauchlin, Clayton Bailey, Erwin Eisch, Dale Chihuly, Bill Brown, Marvin Lipofsky, Joel Myers, Billy Bernstein, Dan Dailey, Dudley Giberson, Harvey Leafgreen, Bill Boysen, Henry Halem, Peter Voulkos, Ruth Tamura, and others.
Quotes and excerpts must be cited as follows: Oral history interview with Fritz Dreisbach, 2004 April 21-22. Archives of American Art, Smithsonian Institution.
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biography Note:
Fritz Dreisbach (1941- ) is a glass artist from Tucson, Arizona. Susanne Frantz is a writer and curator from Paradise Valley, Arizona.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Glass art  Search this
Ohio  Search this
Decorative arts  Search this
Glass artists  Search this
Painting  Search this
Record number:
Data Source:
Archives of American Art