The records are arranged into five series: Series 1: Scattered Business Records, 1976-1981 (Box 1; 13 folders) Series 2: Correspondence, circa 1977-1981(Box 1; 1 folder) Series 3: Notes, circa 1979-1980 (Box 1; 4 folders) Series 4: Printed Material, circa 1976-1981 (Box 1, OV 2; 0.25 linear feet) Series 5: Filmmakers' Files, 1976-1981 (Box 1; 0.5 linear feet)
Access Note / Rights:
Use of original papers requires an appointment.
Summary:
The scattered records of the Los Angeles Independent Film Oasis date from 1976 to 1981 and measure 1.1 linear feet. Founded in 1975, the organization offered a venue for avant-garde and experimental film as well as special merit documentaries. The records consist of scattered business and administrative records, including member information, the constitution, and by-laws; one folder of correspondence; various notes; printed materials; and a large number of files on filmmakers.
Citation:
Los Angeles Independent Film Oasis records, 1976-1981. Archives of American Art, Smithsonian Institution.
Use Note:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Biography Note:
The Los Angeles Independent Film Oasis was founded by a group of independent filmmakers, critics, and theorists in March 1976. The mission of the non-profit organization was to provide a southern California venue for mostly experimental and avant-garde film.
The Los Angeles Independent Film Oasis operated as a member group, and in addition to showing film, offered the opportunity for new and established filmmakers to interact and exchange ideas, and to promote cinematography as a fine art. The Oasis held film screenings about twice monthly in the gallery of the Los Angeles Institute for Contemporary Art. Although most of the films were experimental or avant-garde, the members also showed some feature films and documentaries considered to be particularly important. The Oasis served as the only regular screening venue in Los Angeles at which new and unknown filmmakers could show their works. The Oasis was dissolved in 1981.
Members and founders of the Oasis included Paul Arthur, Roberta Friedman, Leslie Gehry, Lynn Gerry, Amy Halpern, Tom Lesser, Sandy Matthews, Beverly O'Neill, Pat O'Neill, Magdalena Rangel, Tim Shepard, Grahame Weinbren, Susan Rosenblum, Brent Wilcox, Diana Wilson, David Wilson and Arlene Zeichner.
The Los Angeles Independent Film Oasis showed films by Kenneth Anger, Bruce Baillie, John Baldessari, Stan Brakhage, Rudy Burckhardt, Bruce Conner, John Cornell, Maya Deren, Jules Engel, Morgan Fisher, Oskar Fischinger, Hollis Frampton, Robert Huot, Larry Jordan, Fernand Leger, William Moritz, Susan Pitt, Hans Richter, Michael Snow, Chick Strand, John Whitney, and Emerson Woelffer, among others.
Language Note:
English .
Provenance:
Amy Halpern, one of the founders of the Los Angeles Independent Film Oasis donated the records in 1994.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
