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Catalog Data

Creator:
Vonnoh, Bessie Potter, 1872-1955  Search this
Names:
Vonnoh, Robert William, 1858-1933  Search this
Carter, Charles M., 1853-1929  Search this
French, Daniel Chester, 1850-1931  Search this
French, William M. R. (William Merchant Richardson), 1843-1914  Search this
Garland, Hamlin, 1860-1940  Search this
Hughes, Rupert, 1872-1956  Search this
Huntington, Archer M., 1870-1955  Search this
Mead, Larkin G. (Larkin Goldsmith), 1835-1910  Search this
Raffaëlli, Jean François, 1850-1924  Search this
Skinner, Cornelia Otis, 1901-  Search this
Vezin, Charles, 1858-1942  Search this
Extent:
0.8 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
circa 1860-1991
bulk 1890-1955
Summary:
The papers of sculptor Bessie Potter Vonnoh measure 0.8 linear feet and date from circa 1860 to 1991, with the bulk of material dating from 1890 to 1955. The scattered papers document the personal life and career of Bessie Potter Vonnoh, and, to a lesser degree, her husband, painter Robert William Vonnoh. Found within the papers are Vonnoh family correspondence, including letters between Bessie and Robert, and professional and personal correspondence, primarily Bessie's. The collection also contains scattered biographical materials, photographs of the Vonnohs, a photograph album, photographs of artwork, clippings, exhibition catalogs, and other printed material.
Scope and Content Note:
The papers of sculptor Bessie Potter Vonnoh measure 0.8 linear feet and date from circa 1860 to 1991, with the bulk of material dating from 1890 to 1955. The scattered papers document the personal life and career of Bessie Potter Vonnoh, and, to a lesser degree, her husband, painter Robert William Vonnoh. Found within the papers are Vonnoh family correspondence, including letters between Bessie and Robert, and primarily Bessie's professional and personal correspondence. There is one folder of correspondence of Robert William Vonnoh. Bessie's correspondents include Daniel Chester French, Hamlin Garland, Rupert Hughes, Archer Huntington, Larkin G. Mead, Jean Francois Raffaelli, Cornelia Otis Skinner, and others. Robert's correspondents include Charles M. Carter, Daniel Chester French, William M. R. French, and Charles Vezin. The collection also contains scattered biographical materials, photographs of Bessie Potter Vonnoh and Robert William Vonnoh, a photograph album, photographs of artwork, clippings, exhibition catalogs, and other printed material.
Arrangement:
The collection is arranged into 4 series: Series 1: Biographical Material, 1922-1955 (Box 1; 5 folders) Series 2: Correspondence, circa 1863-1985 (Box 1; 11 folders) Series 3: Photographs, circa 1860-1950 (Box 1-2; 0.4 linear feet) Series 4: Printed Material, 1901-1991 (Box 2; 9 folders)
Biographical Note:
Bessie Potter Vonnoh (1872-1955) was born in St. Louis, Missouri to Alexander and Mary McKenney Potter. In 1874, after the death of her father, her family moved to Chicago. Also at this time, she suffered from a series of illnesses that she did not recover from until she was ten. In school she enjoyed clay-modeling class and decided at an early age that she wanted to be a sculptor. Beginning in 1890 she studied with Lorado Taft at the Art Institute of Chicago and later became one of his assistants (known as the "White Rabbits") for the World's Columbian Exposition of 1893. She was also given her own commission for the Illinois building at the fair. After this success, Vonnoh opened her own studio in Chicago and made plaster figurines of society women, friends, and their children. She visited New York and took her first trip to Paris in 1895, visiting the studios of many eminent sculptors such as Auguste Rodin. Her work was influenced by the American Impressionist movement, depicted in one of her most famous works, Young Mother. This piece was exhibited in the National Sculpture Society exhibition of 1898 and led to several public sculpture commissions. In 1899 Bessie Potter Vonnoh moved to New York City and married Impressionist painter, Robert William Vonnoh (1858-1933). They lived in New York and maintained a summer home in Lyme, Connecticut. During her career she received many awards for her works at international exhibitions, including two bronze medals at the Paris Exposition in 1900. Other landmark events included a solo exhibition at the Brooklyn Museum in 1913 and membership into the National Academy of Design in 1921 - the first female sculptor accepted as a permanent member. Vonnoh's work was very well received by the public, and in the 1920s she began working on a larger scale, creating large fountains, such as the Frances Hodgson Burnett Memorial Fountain in Central Park, New York, and other decorative garden figures. Robert Vonnoh died in 1933 and, in 1948, she married Dr. Edward Keyes. Bessie Potter Vonnoh died in New York City in 1955 at the age of 82.
Provenance:
The collection was donated in 1995 by Lulette Jenness Thompson, a cousin of Bessie Potter Vonnoh.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Bessie Potter Vonnoh papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artist couples  Search this
Painters -- New York (State) -- New York  Search this
Landscape painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Women sculptors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Bessie Potter Vonnoh papers, circa 1860-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vonnbess
See more items in:
Bessie Potter Vonnoh papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vonnbess