Skip to main content Smithsonian Institution

Additional Online Media

Catalog Data

Lazzari, Pietro, 1898-1979  Search this
Apollo 17 (Spacecraft)  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Phillips, Duncan, 1886-1966  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Rust, John D.  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Thomas, Norman, 1884-1968  Search this
12.84 Linear feet
Archival materials
Collection descriptions
Slides (photographs)
Motion pictures (visual works)
The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The papers document Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.
Scope and Content Note:
The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The collection documents Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material. Biographical material includes biographical sketches and various identification documents. Correspondence comprises letters exchanged between Lazzari, family members, and colleagues and includes about a hundred letters concerning post office murals in several states. Notebooks contain drawings and annotated diagrams in addition to notes on artwork and designs for inventions. Writings are both by and about Lazzari and include autobiographical material. Artwork includes sketchbooks, loose sketches, prints, and paintings. Almost a quarter of the collection consists of photographs which include images of Lazzari, his family and colleagues, and gallery installations. Also found are photographs of several notable individuals.
The collection is arranged as ten series according to material type. For each series, material within folders is arranged chronologically. Glass plate negatives are housed separately and closed to researchers. Series 1: Biographical Material, 1880-1980 (box 1; 4 folders) Series 2: Correspondence, 1895-1998, undated (boxes 1-2; 1.7 linear ft.) Series 3: Personal Business Records, 1925-1993, undated (box 2; 0.4 linear ft.) Series 4: Notes, 1915-1979, undated (boxes 3, 13, OV 14; 1 linear ft.) Series 5: Writings, 1910-1979, undated (box 4, 13; 0.4 linear ft.) Series 6: Artwork, 1918-1979, undated (boxes 4-5, 13, OV 14; 0.9 linear ft.) Series 7: Printed Material, 1905-1994, undated (boxes 5-8, 13, OV 14; 3.8 linear ft.) Series 8: Photographs, 1878-1980, undated (boxes 8-13, MGP 1, MGP 4; 3.8 linear ft.) Series 9: Motion Picture Film, undated (FC 15; 1 film can) Series 10: Artifact, undated (box 12; 1 folder)
Biographical Note:
Pietro Lazzari was born in Rome, on May 15, 1898. At the age of 15, he was apprenticed to Roman sculptor, Jerace. Four years on the Italian front in World War I interrupted his studies, until he could return to the Ornamental School of Rome, where he received a Master Artist degree in 1922. Lazzari's first solo exhibition was at the Theatre of the Independents in Rome. He was also employed by newspaper Il Messaggero to illustrate articles with athletes' portraits. Lazzari visited the United States in 1925, exhibiting in a group show at the New Gallery in the New York the following year. He also married American social worker Elizabeth Paine in 1926. After four more trips between the United States and Italy, he permanently settled in New York City in 1929. In addition to participating in major art exhibitions, he was hired by a New York newspaper to make courtroom sketches at the Lindbergh kidnapping trial. Divorcing his first wife in 1932, Lazzari married Evelyn Cohen in 1934, and became a U.S. citizen in 1936. Between 1936 and 1942, he worked on four post office murals for the U.S. Section of Fine Arts and began experimentation that led to his own method of painting in polychrome concrete. In 1942, Lazzari moved to Washington, D.C. and participated in the war effort. He also taught painting and sculpture at The American University, and from 1948 to 1950, he headed the Art Department at Dumbarton College. In 1950, he received a Fulbright Fellowship for research in techniques of Etruscan Art. Lazzari is known for his bronze busts of humanitarians, most notably Pope Paul VI, Adlai Stevenson, and Eleanor Roosevelt. Represented by the Betty Parsons Gallery in New York, he was also very active in the Washngton, D.C. art community, where he was represented by the Caresse Crosby Gallery. Pietro Lazzari died on May 1, 1979 in Bethesda, Maryland.
Related Material:
Also found in the Archives of American Art is one sound tape reel of a transcribed interview with Pietro Lazzari, conducted by Harlan Phillips in 1964.
The Pietro Lazzari papers were donated to the Archives of American Art in 1989 by Evelyn C. Lazzari, widow of Pietro Lazzari, and in 1998 by her estate.
The collection is open for research. Use requires an appointment.
The Pietro Lazzari papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Portrait sculpture, American -- Washington (D.C.)  Search this
Works of art  Search this
Muralists -- Washington (D.C.)  Search this
Sculpture, American -- Washington (D.C.)  Search this
Sculptors -- Washington (D.C.)  Search this
Slides (photographs)
Motion pictures (visual works)
Pietro Lazzari papers, 1878-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Pietro Lazzari papers
Archival Repository:
Archives of American Art